Original
Derivatives
Years Of Creation
ALL
This acrylic painting constructs a unique spiritual field through a fantastical and profound visual language. In the painting dominated by dark tones, the large - area pink - blue gradient on the left acts as a mysterious light band, shattering the gloom, as if the boundary between reality and surrealism.
In the picture, colors serve as carriers of emotions. The collision of red and blue, purple and green, through color juxtaposition, creates a strong visual tension, as if telling the complex emotional conflicts within.
It's a pity.
The painting presents a female half-length portrait, elongated and slightly exaggerated. Its central theme lies in the juxtaposition of “inner restlessness and outward elegance.”
Here, line is less about contour than about rhythm.
The overall mood is one of gentle unease—a blend of quiet introspection and veiled anxiety.
Paint becomes emotion made physical
The textured blue areas are more than background—they act as strata of memory or scars, surrounding the figure with both protective and invasive qualities.
The work conveys a complex atmosphere of desire, warmth, and freedom
The square canvas intensifies the focus, creating a closeness between subject and viewer that feels unavoidable.
This is a painting built upon the grammar of impasto, structured by the interplay of cool and warm hues, and driven by rhythmic brushwork that shapes emotion.
The red hair gradually transitions from light orange to dark red, and its naturally drooping form corresponds to the concrete act of “dyeing hair red”.
In the painting, the background of interwoven blue and green resembles the flowing mist of the mountain forest, providing a hazy and tension - filled field for the main forms.
Within the limited space, it constructs an intimate and profound channel for emotional exchange.
Integrating surreal and abstract thinking, it continues the exploration of “spiritual metaphor” and opens an implicit path for artistic expression.
The thick and thin rendering of colors is like the breath of emotions, spreading silent sighs in the gray space.
The shapes of the figure and the guitar do not follow the path of precise realism.
"Floating Forest" constructs a unique landscape through abstraction, exploring the fusion of nature and the soul through artistic expression.
This tree is my simplification of "nature" and myself.
Yuhua is a female artist from Kunming. She is a good friend of mine. This is a painting I created for her when I decided to leave Kunming for a long time.
The regret of being done.
It was rainy in October in Wuhan this year, and I went to meet a person in October here.
Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
White and black time. Only crosses the line at its toes. Spread out in circles.
Is this a traditional human figure painting? Clearly not. It is rather using the rebellion of Expressionism as scissors to cut off the aesthetic shackles with a snap.
Nothing that comes out of this comes from my decision.