Those eternal vows over and over again3

780 $

This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.

Overall Size: /
Size without the frame: /
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved

Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

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Reference view

This painting is like a “visual prank”. The creator treats the human figure as if it were plasticine to knead, deliberately distorting the contours and dislocating the colors, just to go against the aesthetic stereotype of “elegant human body”. The dark color blocks are like an indissolvable ink, shattering the “light and shadow order” to pieces, as if shouting: “Why should the human body be packaged with a soft - light filter?”

Those colors spilling over the boundaries are traps set for “disciplined appreciation” — just as you want to find a “standard posture” for the figures, the colors, like naughty ghosts, slip out along the cracks of the canvas, forcing you to admit: the human body is not a rigid symbol in sculpture textbooks, but a vivid existence that can dance in chaos. The interaction between the figures is more like an “emotional wrestling match”, without the hypocrisy of gentle eye - contact; instead, there is a rough sense of power struggle, gnawing away the sugar - coating of “intimate relationships” to leave only the hardcore.

Is this a traditional human figure painting? Clearly not. It is rather using the rebellion of Expressionism as scissors to cut off the aesthetic shackles with a snap. The creator deliberately lets the painting “lose control”, just to make us face the fact: the “safe zone” of art appreciation is nothing but a self - deceiving comfort zone. When we are made uncomfortable by these “unruly” colors and forms, we stumble upon the cruelest truth of art — it is never an obedient decoration, but a troublemaker that dares to tear apart the dignity and throw the chaos of human nature in front of you. In this “rebellion” of colors and forms, we are forced to take off the “aesthetic gloves” and touch those dirty and real folds of human nature that have been filtered out by disciplined aesthetics.

Floating woods

2380 $

Symptoms of loneliness in spring 5

The contrast between its smallness and the flower’s bigness is just like an individual being quietly enveloped by loneliness amidst the bustling spring flowers — even in the midst of beauty, the soul may still seek a quiet corner in the noise.

60 x 60 cm1200 $

Flying problems7

Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.

780 $

The makeup of desire 17

The figure in the painting has its outline precisely drawn with smooth lines, presenting the form of a slender neck and a simplified shoulder, demonstrating the artistic charm of shape refinement.

60 x 60 cm1200 $