Those eternal vows over and over again3

780 $

This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.

Inches: x in
Size without the frame: /
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved

Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

If you would like to collect this artwork or know more about the artist, please contact us.

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Reference view

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Artwork Interpretation

1. Rebellion Against Conventional Beauty
This painting unfolds like a visual provocation. The human figure is treated not as a classical ideal but as a malleable substance — distorted, stretched, and reconfigured. By bending contours and dislocating colors, the artist dismantles the aesthetic stereotype of the “elegant body” and replaces it with something raw, unsettling, and confrontational.

2. Darkness as Defiance
The dark blocks of color cut across the composition like indelible stains, disrupting the expected harmony of light and shadow. They refuse the traditional “soft focus” treatment of the human form, insisting instead on a harsher, more fractured visual truth. The painting seems to ask: Why should the human body be wrapped in decorative light, rather than shown in its unruly vitality?

3. Escaping Disciplined Aesthetics
The overspilling hues function as traps for “disciplined appreciation.” Just when the viewer seeks a stable posture or recognizable form, colors slip away like rebellious ghosts. This forces us to acknowledge the body not as a rigid textbook model but as a living, chaotic presence — one capable of breaking order, bending rules, and resisting aesthetic domestication.

4. Emotional Struggle Rather Than Harmony
The interaction between the two figures is not softened by sentimental gazes or romanticized gestures. Instead, it resembles an emotional wrestling match, filled with tension, resistance, and confrontation. In stripping away the sugarcoating of “intimate relationships,” the artist exposes only the core dynamic: a raw, restless struggle that destabilizes conventional notions of closeness.

5. Expressionist Rebellion
This work is not a traditional figure painting. Rather, it wields the rebellion of Expressionism as scissors to sever aesthetic constraints. The deliberate loss of control — in form, in color, in composition — becomes a strategy for unmasking the illusion of “safe” art appreciation. What emerges is an uncompromising confrontation with human complexity.

6. Art as Disruption
Here, art is no obedient decoration. It acts as a troublemaker, tearing through aesthetic comfort zones and forcing viewers to confront the raw folds of human nature — the messy, uncomfortable truths that polished forms and “disciplined aesthetics” often conceal. In this rebellion, we are compelled to strip off our “aesthetic gloves” and touch the untamed, contradictory, and deeply human core beneath.

Similar Works Reference

Egon Schiele, Death and the Maiden — Twisted lines and bold colors intensify the sense of emotional struggle.
Marc Chagall, The Lovers — Dreamlike colors and lyrical composition evoke surreal warmth and intimacy.
Sanyu, Nude with Bent Knee — Minimal brushwork and soft tones highlight the poetic simplicity of the human body.
Paul Gauguin, Where Do We Come From? — Symbolic imagery and vivid colors probe philosophical reflections on life and existence.

FAQs

Why do the two figures’ gazes move in different directions?

The figure on the left lifts their gaze upward, as if responding to an unseen calling, while the figure on the right looks with hesitation and melancholy. This contrast embodies the inner tension between desire and doubt, creating a sense of narrative suspense.

Why does the background shift from pure black to vivid red?

The black evokes a swallowing abyss, generating suffocating pressure, while the red emerges from the edges like a surge of emotion and burning vitality. This stark transition intensifies the psychological drama surrounding the figures.

What effect is created by the layered colors of the skin tones?

Through overlapping strokes of pink, yellow, and violet, the skin takes on a semi-transparent luminosity. The body seems illuminated by emotion, no longer just physical flesh but a vessel of spiritual pulses.

What type of space is best suited for displaying this painting?

As a work of emotional symbolist figurative art, it is ideally placed in intimate galleries, private studies, or psychology-themed exhibitions, where viewers can engage deeply and resonate with its emotive intensity.

In what ways does this painting hold value for collectors?

The work occupies a unique position within psychological narrative art and contemporary watercolor figurative collections. Its use of contrasting colors and emotional tension creates a rare sample of spiritual expression—suitable both as a highlight in curated art museums and as a philosophical centerpiece in private collections.