This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.
Before the soul comes and after the soul leaves, a body is no different from anything else in nature. If you no longer miss.
Inches: x in
Size without the frame: 79 x 109 cm
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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Emotional Atmosphere
This painting establishes a private and introspective spiritual field through its use of intense, emotionally charged colors. The red–orange background, applied in a flat-painting method, radiates both passion and ambiguity. It suggests an emotional temperature that fluctuates between warmth and unease, amplifying the sense of inner turmoil.
The Human Figure
The central figure, rendered in earth-toned yellows with soft, fluid contour lines, curls into a posture of self-protection and solitude. The body’s curves suggest both vulnerability and inward retreat, as though guarding a secret or holding onto private emotions. This curled position speaks of loneliness, memory, and the quiet persistence of vows.
Chromatic Dialogue
The color contrasts are crucial to the painting’s structure. The earthy figure resonates against the red–orange walls, forming a visual dialogue of conflict and fusion. Meanwhile, the blue–green of the bed and pink–purple tones of the floor introduce a warm–cool interplay, blurring the boundaries between dream and reality, wakefulness and intoxication. This chromatic weaving intensifies the sense of emotional layering.
Expressionist Approach
Grounded in Expressionism, the artist deliberately abandons the precision of realism. The simplification of form, subjective arrangement of colors, and emphasis on distortion allow the intangible idea of “vows” to be transformed into perceivable visual symbols. The painting is less about physical likeness and more about capturing emotional resonance.
Symbolism of Vows
Each brushstroke and line conveys a meditation on repetition and eternity. The figure’s huddled posture and the restless interplay of colors embody the paradox of vows: they can be anchors of devotion, yet also chains of memory. Through this repetition, vows are shown as both persistence of feeling and a struggle against entrapment by the past.
Poetic Resonance
Ultimately, this painting demonstrates how art can enact the emotional materialization of color. By letting “vows” transcend verbal language and transform into an image that resonates with vision and soul, the work creates a dialogue about commitment, memory, and selfhood. In the collision of intense colors and simplified forms, it touches upon humanity’s longing and confusion for eternity.
Sanyu, Nude with Bent Knee
Uses simple lines and gentle tones to present the quiet, meditative beauty of the human body.
Egon Schiele, Reclining Woman
Employs distorted lines and heightened colors to capture a sense of emotional and psychological tension.
Marc Chagall, The Lovers
With dreamlike colors and romantic composition, it embodies surreal warmth and intimacy.
Paul Gauguin, Young Girls of Tahiti
Through simplified forms and vivid colors, conveys a sense of primitive vitality and immediacy.
The artist employs a gradient of red, orange, and yellow hues, creating the effect of a burning memory’s embers. The warm tones echo the figure’s flesh tones, giving the entire composition an atmosphere of both intensity and ambiguity.
The curled body position, combined with the vivid colors, suggests both vulnerability and self-protection, while also hinting at the entanglement of emotions and the binding of vows. The clean yet powerful lines heighten the directness of the emotional expression.
The blue-green and violet tones of the bed sharply contrast with the fiery red wall, creating a cold–warm collision. This deliberate choice makes the figure appear enclosed in layers of emotion—caught between a sense of isolation and escape and a yearning that burns intensely.
This piece falls under “contemporary expressionist figurative painting.” Through the extreme color contrasts and the minimalist pose of the figure, the artist transcends pure realism, instead emphasizing emotion and the reflection of the inner psyche. Such a work is well-suited for psychotherapy clinics, private studios, and art spaces, where it can stimulate both emotional resonance and personal reflection.
As a “contemporary abstract expressionism oil painting on the bed motif,” the work holds a certain rarity in today’s art market. Beyond its unique color language, it conveys the theme of “vows and memories” through a highly symbolic posture. For private collectors, it serves not only as a metaphorical object of emotional expression but also as a distinctive landmark within a personal art collection.
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More paintings from this series：
Those eternal vows over and over again 1
Those eternal vows over and over again 3
Those eternal vows over and over again 4
