This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.
It's midsummer in southern coastal cities. It's hot here, the sweat is sticky, and the brushstrokes are sticky as well. The world is particularly bright and clear due to the strong light, but people's thoughts are muddy.
Overall Size: /
Size without the frame: /
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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Those Eternal Vows, Over and Over Again uses the flowing rhythm of watercolor as a vehicle to construct a polyphonic space of emotions and memories. The creator employs the brushstroke logic of Expressionism, embedding the figure in a hazy background of interwoven blue and purple. Through color collisions and blending, a complex web of emotional layers is woven. The reddish - brown hair and pink - purple face form a color confrontation against the blue tone, just like the echo of vows repeatedly crashing in the heart; the rising smoke, blended with the wet - on - wet technique, blurs the boundary between reality and fantasy, becoming a visual metaphor for the dynamics of “repetition”. Here, art breaks free from the constraints of realism. In the form of emotional materialization, it allows viewers to touch the human obsession with commitment — this is a conventional gaze at “eternal vows”, decoding the intertwined trajectory of the individual and eternal propositions in the color vortex.
This work ultimately forms a wonderful tension: it completes a poetic gaze at vows with the grammar of Expressionism, yet rebels against conventional narrative logic through color chaos and form ambiguity. In the mistiness of watercolor, we both touch the persistence and melancholy of vows (emotional resonance in the conventional dimension) and stumble upon their absurdity and loss of control (cognitive impact in the unconventional dimension). Here, art becomes a two - sided mirror, reflecting humanity’s longing for eternity on one side and the futility of this longing on the other. In the game between “conventional gaze” and “unconventional deconstruction”, it completes the deepest interrogation of “eternal vows” — when we repeatedly chew on vows, are we embracing eternity or dancing with nothingness?
