This painting was created in 2023. This year I was looking for a balance between life and desire while going out, and the work turned into lively small-size paper creations.
The "Problems of Flying" series was painted in my free time at work this year. After sweating profusely every day, cherish the remaining time to fly —— choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
The problem of flying is the problem of freedom, but freedom is an abstract word that exists in the imagination, while flying is a concrete problem in practice——how to take off, which direction the wind is coming from, which sky it is in, how long you have enough physical strength to fly, constant adjustments attitude and when to land.
Inches: x in
Size without the frame: x cm
Country: China
Date: 2023
Materials: Acrylic paint on paper.
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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The work employs minimal watercolor lines to outline the figure, punctuated by purple-blue blocks across parts of the body. This approach dissolves realism and heightens the symbolic quality of the human form, shifting the viewer’s attention toward gesture and structure rather than likeness.
The broad beige ground introduces a texture reminiscent of sand or earth. Against this subdued field, the light purple planes of the figure appear almost weightless, as if floating within a space that is both austere and expansive.
From the abdomen extends a serpentine red curve, at once a bodily extension and an autonomous life form. This duality resonates with the themes of “flight” and “constraint,” evoking a tension between the physical and the spiritual, the embodied and the estranged.
The piece departs from traditional representational portraiture, aligning instead with contemporary abstract approaches to the female body in watercolor. Its raw yet symbolic marks place it within the realm of experimental watercolor practice, appealing especially to collectors invested in issues of body and identity.
With its minimalist and emblematic qualities, the painting is well-suited to contemporary art exhibitions, research publications on body representation, and cross-cultural collections of experimental watercolor art. Within exhibitions foregrounding the conceptual body, it carries both scholarly and collectible value.
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