Flying problems 10

780 $

This painting was created in 2023. This year I was looking for a balance between life and desire while going out, and the work turned into lively small-size paper creations.

The "Problems of Flying" series was painted in my free time at work this year. After sweating profusely every day, cherish the remaining time to fly —— choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
The problem of flying is the problem of freedom, but freedom is an abstract word that exists in the imagination, while flying is a concrete problem in practice——how to take off, which direction the wind is coming from, which sky it is in, how long you have enough physical strength to fly, constant adjustments attitude and when to land.

Inches: x in
Size without the frame: x cm
Country: China
Date: 2023
Materials: Acrylic paint on paper.
Condition: well preserved

Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

If you would like to collect this artwork or know more about the artist, please contact us.

modern surrealist artists,nude artists,current artists,abstraction is the process in which artists,acrylic portrait artists.

Reference view

abstract art prints in the room

Artwork Interpretation

1. Narrative and Composition
This work constructs a visual narrative from a unique perspective. Figures and natural elements blend seamlessly, while the outlines drawn with lines break conventional norms, as if exploring the dynamics and implications of “flying.”
At the compositional level, the figure occupies the center. The extended limbs echo the background, creating a sense of openness and guiding the viewer’s gaze between the real and the imagined.

2. Color Application
The palette is bright and harmonious. Yellow, as the dominant tone, conveys warmth and hope, while blue accents introduce calmness and depth. These blue layers reduce the weight of the “problem” and instead emphasize the atmosphere of active exploration.

3. Style and Technique
The style is expressive rather than realistic. Generalized shapes and free brushstrokes release spontaneity and vitality, allowing emotions to break free from the confines of realism. This expressive method highlights creativity as a process of liberation.

4. Emotional Expression
The mood of the painting is both optimistic and tense. The open posture of the figure conveys an embrace of the unknown, transforming confusion into upward momentum. The work suggests courage in exploration and the resolve to move forward.

5. Artistic Resonances
The piece recalls:

The naive fantasy of Henri Rousseau, who used simplified forms to express dreamlike visions.
The symbolic abstraction of Joan Miró, who used reduced forms to reveal inner spirit.

Yet this work distinguishes itself with a personalized sense of lightness and a refinement of daily philosophical reflection. By framing the theme as “the problem of flying,” it points toward the possibility of breakthrough and growth, using artistic language to ignite the viewer’s imagination of new dimensions of life.

Recommended Works with Similar Styles

André Masson, Automatic Drawing

Free-flowing lines and abstract symbols convey subconscious metaphors through automatic creation.
Emil Nolde, Figure by the Sea

Rough brushstrokes and subjective colors capture inner emotions through the textured portrayal of figures.
Ding Yanyong, Life Sketch

Simplified modeling and restrained colors present the vitality of the human body through Oriental brushwork.
Joan Mitchell, Abstract Figure in Landscape

Bold brushstrokes and interwoven colors integrate figures and landscapes in an abstract dialogue.

FAQs

Why does the composition emphasize pale yellow and light blue as the dominant tones?

The figure is enveloped in soft yellow, resembling an expanding halo of light, while the blue wave-like forms evoke both ocean and sky. The transparency of these colors produces a sense of weightlessness and meditative calm.

What is the significance of the absence of detailed facial features?

The artist intentionally reduces facial detail, using dark hairlines and areas of blank space to emphasize form over likeness. By avoiding specificity, the figure becomes a universal symbol rather than a personal portrait—aligning with the theme of flight as a shared spiritual experience of freedom.

How do the blue wave-like forms function in the composition?

The undulating blue lines operate as both a visual foundation and a rhythmic counterpart to the figure’s outstretched arms. Together, they create a structural dialogue of rising and unfolding, suggesting the body is emerging from waves into renewal and ascent.

What distinguishes this piece in the market for modern watercolor figure painting?

Flight Problem No. X represents a distinctive experiment in abstract watercolor where the human form merges with natural elements. Its dual nature—decorative softness and symbolic depth—makes it especially suited for therapeutic art spaces or personal meditation rooms, where it fosters an atmosphere of serenity and hope.

Which audiences or collectors might be drawn to this work?

The painting particularly appeals to collectors of light-toned abstract watercolor who value imagery that is gentle yet spiritually resonant. Its calm chromatic palette and symbolic orientation make it ideal for private collections, study spaces, and contemplative interiors.

What should I pay attention to when buying an artwork or its derivatives?

A: Click here to view ARTPHILOSO's Guide for Collectors.

End of the Blazing Sun 10

At the junction of bed and body, wet-on-wet dragging softens transitions. The thick impasto on the hips and knees forms tactile nodes. The rhythm of brushwork shifts from rigid to soft, marking the passage from object to flesh.

40 x 40 cm1200 $