The theme of this year's painting clearly states one - the makeup of desire. People's various desires are wrapped under various makeups. Desires are the intertwining of happiness and pain in life. Either straightforward or subtle, they will appear in makeup, forming a profound look of an era.
Inches: 15.5 x 21.5 in
Size without the frame: 39.3 x 54.5 cm
Country: China
Date: 2025
Materials: Acrylic paint on paper
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land".The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful.Ideas are later.
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Line and Form
This painting employs smooth, rhythmic contour lines to construct the figure, avoiding rigidity while suggesting softness and fragility. The subtle deformations in the facial structure and posture—most notably the hand resting against the cheek—intensify the sense of contemplation and solitude, turning gesture into a symbol of emotional expression.
Atmosphere and Background
The gray-blue washes of the background, created through a wet-on-wet watercolor technique, form gentle gradients that envelop the figure in a mist-like atmosphere. This fusion of figure and ground produces a sense of hazy emotional suspension, as though the subject is caught between clarity and dissolution.
Subjective Coloration
Departing from naturalistic tones, the artist applies pink, violet, and orange across the cheeks and around the eyes. These hues interweave and collide, embodying inner turbulence rather than external likeness. Color becomes an emotional language, signaling fluctuation, sensitivity, and vulnerability.
Material Expression of Emotion
The work demonstrates the unique expressive properties of watercolor—its transparency, fluidity, and spontaneity. Pigments bleed and layer unpredictably, allowing emotions to materialize visually. Each wash and wandering line functions as a trace of psychological unrest, offering viewers access to the interior state of the subject.
Expressionist Core
Grounded in expressionism, this painting resists replication of reality. Instead, it translates abstract emotions into visual form, where contour, hue, and rhythm operate together to externalize what is internal. The result is not a portrait of likeness, but a portrait of loneliness, reflection, and emotional suspension.
Philosophical Undertone
At its core, this painting becomes a meditation on the fusion of emotion and form. It suggests that painting is not merely depiction but a process of emotional materialization, in which art becomes a vessel for both fragility and persistence of the human spirit.
Amedeo Modigliani, Woman with a Black Tie
Through simple lines and softened colors, conveys a quiet blend of elegance and loneliness.
Marc Chagall, The Lovers
With dreamlike hues and distorted figures, creates a mood of romantic lyricism that resonates with this work’s emotional atmosphere.
Sanyu, White Porcelain Vase and Chrysanthemums
Using a pared-down composition and gentle tones, evokes a sense of quiet poetry similar to the understated melancholy in this painting.
Paul Klee, The Path to Paradise
Through abstract symbols and fluid color harmonies, builds a fantastical mood, paralleling this work’s transformation of emotion into symbolic form.
The painting uses overlapping soft pinks and cool gray-blues to create a semi-translucent skin texture. Delicate, light strokes soften the sharpness of the facial features, allowing the figure’s expression to hover between reality and abstraction, evoking a sense of quiet introspection.
The chin-resting gesture is simplified into graceful curves that echo the flow of the face, creating a harmonious compositional rhythm. This not only emphasizes a thoughtful pose but also lets viewers intuitively sense the figure’s inner pause and emotional weight.
The background employs deep blue-black blocks, contrasting with the figure’s light, airy texture, which highlights the brightness of the face and hands. This light-to-dark contrast builds spatial depth, making the figure’s presence more vivid, as if it emerges from the canvas.
It belongs to lyrical watercolor portraiture, using minimal lines and layered washes of color to express the subject’s psychological state. It is ideal for modern living spaces, cultural salons, or art therapy studios, creating a contemplative, introspective atmosphere.
As an expressionist female watercolor artwork, it conveys a unique spiritual aura through softened figure shapes and the interplay of warm and cool tones. Its collectible value lies in two aspects: first, as a private art piece showcasing personal taste, and second, for exhibitions or interior design, offering emotional regulation and aesthetic guidance.
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More paintings from this series：
She saw all the seductive swaying in love at one glance 1
She saw all the seductive swaying in love at one glance 2
