This painting was created in 2023. This year I was looking for a balance between life and desire while going out, and the work turned into lively small-size paper creations.
The "Problems of Flying" series was painted in my free time at work this year. After sweating profusely every day, cherish the remaining time to fly —— choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
The problem of flying is the problem of freedom, but freedom is an abstract word that exists in the imagination, while flying is a concrete problem in practice——how to take off, which direction the wind is coming from, which sky it is in, how long you have enough physical strength to fly, constant adjustments attitude and when to land.
Inches: x in
Size without the frame: x cm
Country: China
Date: 2023
Materials: Acrylic paint on paper.
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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The posture recalls both flight and meditation. It embodies an outward gesture of openness while simultaneously suggesting inner stillness. Here, flight is transformed into a metaphor for contemplative balance, merging motion with serenity.
The undulating blue lines symbolize the uncertainty and turbulence of flight, while the expanses of white and pale blue evoke a sense of vast, tranquil space. Their contrast frames the figure’s pose as both lightweight and challenged, suspended between ease and tension.
This secondary motif acts as a distant counterpart to the central figure. It may represent another traveler, an alternate self, or the next stage of the flight journey, subtly extending the work’s symbolic horizon.
No. VII radiates a sense of playfulness, with dance-like freedom.
No. VIII turns inward, embodying philosophical reflection and meditative flight.
It suggests that the journey has moved beyond external expression into a state where the body, sky, waves, and mind converge.
In a sense, yes. The work proposes that the resolution of flight’s dilemma lies not in exertion or control but in release and inner integration. The figure’s posture—echoing Buddhist icons or yogic meditation—suggests that the ultimate destination of flight is spiritual freedom within.
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