This painting was created in 2021. I spent half of this year teaching painting and the rest of the time traveling alone. There are less paintings and more poetry creation. Most of the feelings about the works come from what I saw during my travels.
It was rainy in October in Wuhan this year, and I went to meet a person in October here.
Inches: x in
Size without the frame: x cm
Country: China
Date: 2021
Materials: Oil paint on linen
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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The figure lowers their head beneath a hat, with the face deliberately blurred. This makes it difficult for viewers to identify a clear persona, instead emphasizing the act of walking as the central motif. It becomes a symbol of urban anonymity.
The golden strokes resemble streetlights reflected in autumn rain, while the gray-violet conveys dampness and chill. Their interplay creates a scene that feels both warm and detached, capturing the complex atmosphere of the city during the rainy season of October.
The folds of the garment are not rendered as static fabric but as rippling currents, echoing the fluid lines of the background. This treatment makes the figure appear enveloped by rain, wind, or the whirlpool of memory, introducing a touch of surrealism.
In the lower left, a circular ripple and sharp-edged symbols evoke marks upon a water surface. They serve as both natural elements and psychological signifiers, forming a symbolic visual language. This connects the work to contemporary abstract expressionism, making it appealing to collectors seeking thought-provoking pieces for modern spaces.
The painting merges urban impressionism with symbolic intent. It is neither purely realist nor fully abstract, but instead balances narrative and metaphor. Such a work is well-suited for display in studies, galleries, or café interiors, where it provides not only atmospheric depth but also invites reflection on urban solitude and the fluidity of human experience.
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