This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.
Inches: x in
Size without the frame: x cm
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land".The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful.Ideas are later.
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1. Color and Atmosphere
This painting unfolds a dramatic visual experience through its expressive use of color. The sky is rendered like an ignited dream, where red, orange, purple, and blue blend and surge into one another. These hues transcend mere description of the natural world, becoming instead a manifestation of time’s fluidity. In this sense, the “year” is not measured by numbers but by a radiant spectrum, transforming temporality into a vivid, almost tangible presence.
2. Symbolism of the Seabirds
The faint traces of seabirds in the sky are more than decorative; they act as symbols of freedom and flight, moving freely between the earth and the heavens. Their trajectories function as lyrical notations, suggesting that freedom itself becomes part of the passage of time.
3. The Solitary Figure
On the right, a lone figure with a blue backpack walks toward the horizon. This image resonates as a metaphor for individual life. The figure is small against the vast sky, yet not diminished—rather, her presence embodies persistence and inward strength. The dramatic sky is not merely backdrop, but a reflection of the inner landscape of the soul. Even though challenges, uncertainties, and mountains lie ahead, the warmth and vibrancy of the colors above offer encouragement. The interplay of warm tones in particular evokes hope, courage, and resilience, softening the solitude of the journey and transforming it into an affirmation: being “on the road” is itself an act of dialogue with both the world and one’s inner self.
4. Spatial Order and Composition
The handling of space in this painting avoids strict realism. The distant architecture, the foreground figure, and the expansive sky do not conform to a linear perspective. Instead, spatial hierarchy is shaped by color density, shifting planes, and symbolic forms. This construction of non-realistic space liberates the work from physical constraints, turning the canvas into a vessel for emotions and spirit. It encourages the viewer to see the journey of life itself as such—uncertain, yet full of possibility when approached with a romantic perspective.
5. Philosophical Resonance
Walking alone in this world of fluid colors is no longer a gesture of isolation but one of exploration and transformation. The unknown turns into surprise, and uncertainty becomes opportunity. In this way, the painting elevates “the year” to more than a measure of time—it becomes an eternal gesture of the soul, reaching toward the infinite horizon. Through the power of art, this work suggests that each of us can discover our own journey of hope within the interplay of colors and the flight of seabirds.
Vincent van Gogh, The Starry Night: Expressive colors and swirling brushstrokes that transform the night sky into a field of emotion and energy.
Edvard Munch, The Scream: Intense color contrasts and distorted lines that externalize inner psychological tension.
Wu Guanzhong, Spring Like a Thread: Bright, lyrical tones and fluid brushwork that merge abstraction with poetic sensibility.
Egon Schiele, Summer Landscape: Subjective color palette and simplified forms that capture nature through a deeply personal lens.
One afternoon in April 2021, I happened to catch the dismissal of Ulan County Middle School. During the off-season, Haixi had settled back into the quiet desolation of a small northwestern town—wide streets lined with low houses, few cars, long empty roads, and the occasional gust of wind sweeping through. I was still wavering over whether to head closer to the snowcapped mountain, when, turning a corner, I saw two students in school uniforms walking just ahead. I slowed my pace.
Only the day before, while passing Peking University High School, I had been wondering what kind of kids studied there. The thought then drifted to these two students in front of me—where they might go to college, what kind of work they might take on, and whether the cities awaiting them could ever hold the snowcapped mountains tucked away in their pockets.
A few days ago, I came across some old photographs, and just then a song called Cornfield began to play. So I picked up a brush and sketched a small study to the rhythm of that tune.
The artist employs broad, elongated brushstrokes and an interplay of warm and cool tones to create a “burning sky” effect. The colors are not static but seem to diffuse and flow, symbolizing the shifting nature of time and vitality.
This emphasizes the vastness of nature and the smallness of humanity. The human figure functions only as a “witness of the journey,” reminding the viewer that the relationship between people and the environment is one of both being engulfed and being uplifted.
The seabirds do not appear in realistic form but exist as lines and fleeting silhouettes. They symbolize freedom, migration, and spiritual departure. Such imagery is often used in lyrical landscape painting to convey ideals and the direction of the soul.
The dramatic use of color—with a clash of blue-violet against fiery reds and yellows—creates striking visual intensity. The rapid, layered brushstrokes evoke a sense of “cloud-waves” in motion. This approach not only enhances the visual impact but also provides a vivid case study for expressionist landscape painting, especially in academic discussions on the spiritual relationship between humanity and nature.
This work combines both local specificity and universal symbolism—hinting at regional scenery while embracing the timeless themes of freedom and journeying. Its artistic value lies in transforming a natural landscape into a spiritual epic, making it especially suitable for collections of contemporary symbolic landscape art. It is particularly well-suited for exhibitions highlighting the theme of “dialogues between nature and the human spirit.”
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