This painting was created in 2023. This year I was looking for a balance between life and desire while going out, and the work turned into lively small-size paper creations.
"Through My Eyes: The Incomprehensible Bird", there are 9 paintings in the series with this title. They are my small exploration attempts at portrait painting, so the techniques used in each painting are different, and the final picture effects are also different. It can provide ideas for future creations.
There were originally more small paintings like this, but in the end it was these few that were confirmed through my eyes over and over again. Each of them maintains its own unique beauty.
Inches: x in
Size without the frame: x cm
Country: China
Date: 2023
Materials: Acrylic paint on paper.
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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I. Integration of Tradition and Modernity
This painting reveals a distinctive style that merges Eastern traditions with modern artistic innovation. On one hand, it draws from Eastern aesthetics that value inner connotation over strict realism, employing simplified brushstrokes and blended colors to convey the subject’s charm and spirit. On the other hand, it embraces the modern emphasis on individualized expression, using generalized forms to establish unique symbolic language. This duality gives the work a timeless yet contemporary resonance.
II. Expressing Spirit through Form
Rather than focusing on precise likeness, the artist utilizes fluid colors and generalized brushwork to evoke the figure’s demeanor and emotional presence. This approach reflects the traditional principle of “expressing spirit through form”, a key tenet in Eastern painting philosophy. The face, hands, and posture are not overly detailed but instead radiate an inner vitality that transcends the surface appearance.
III. Cross-Cultural Significance
Viewed from a cross-cultural perspective, the work acts as a presentation of Eastern aesthetics to a global audience. The artist’s use of local cultural thinking to control pictorial language allows viewers from diverse backgrounds to perceive how Eastern art captures inner essence over external form. It bridges cultural differences through emotional resonance rather than literal representation.
IV. Cultural Roots and Innovation
This creation embodies a fusion of cultural heritage and personal innovation. By drawing from local traditions, the artist explores fresh possibilities of self-expression, infusing Eastern vitality into contemporary artistic discourse. The work demonstrates that cultural heritage is not a limitation but a fertile source of creativity, enabling art to cross boundaries and spark dialogues across civilizations.
V. Contemporary Relevance
Ultimately, this painting highlights the enduring vitality of Eastern art in the modern era. It serves as a reminder that artistic creation, when grounded in cultural roots, can form empathetic bonds between people, inspiring global appreciation and dialogue. The piece shines as a bridge between tradition and modernity, East and West, revealing how personal expression can carry universal resonance.
The artist employs bold black-and-white contrasts to emphasize the pupils, enhanced by subtle highlights. This creates a gaze that is both direct and detached, turning the eyes into the focal point of the composition. The result conveys a psychological atmosphere of intertwined introspection and confrontation.
The skin tones are not naturalistic but built from irregular strokes of pink, ochre, and violet-blue, as though emotions are surging beneath the surface. The dialogue between the red tones of the palms and cheeks generates a sense of warm yet conflicted tactility, highlighting the emotional duality of the subject.
The green backdrop is not mere filler but a tool of contrast and balance. It accentuates the red and white tonalities of the skin while introducing a subtle, restrained tension. This treatment, akin to a stage curtain or dreamlike screen, places the figure in an illuminated, almost theatrical space.
This piece belongs to the cross-section of contemporary expressive female portraiture and figurative surrealism. The bold layering of colors and the emphasis on hand gestures push it beyond traditional portraiture, positioning it as a psychological and visual interpretation suited for private art collections and contemporary women-centered exhibitions.
First, the work presents a unique visual language of self-gaze through the interaction of face and hands, reflecting a distinct personal style. Second, as a mixed-media creation blending watercolor and acrylic techniques, it demonstrates strong experimentation in color layering and fluidity. For collectors interested in female identity, psychological expression, and contemporary figurative art, this painting offers both an artistic statement and a work of significant future scholarly value.
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