The theme of this year's painting clearly states one - the makeup of desire. People's various desires are wrapped under various makeups. Desires are the intertwining of happiness and pain in life. Either straightforward or subtle, they will appear in makeup, forming a profound look of an era.
Inches: 23.6 x 23.6 in
Size without the frame: 60 x 60 cm
Country: China
Date: 2024
Materials: Acrylic paint on linen
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land".The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful.Ideas are later.
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1. Poetic Abstract Still-Life
This painting constructs a poetic abstract still-life conception through soft, rhythmic brushstrokes. At the center, the pink vessel becomes the focal point, its form defined by plane division and color gradation. The rounded contour and gentle tonal variations convey a sense of warmth and intimacy, while its simplification into essential shapes suggests a balance between formal composition and emotional resonance.
2. Simplification of Natural Objects
The flowers adorning the vessel are rendered with generalized brushstrokes, deliberately abstracted to retain only color layers and rhythmic hints of form. This process of abstract refinement transforms natural motifs into poetic signs, shifting the viewer’s attention away from descriptive detail toward the emotional impact of the composition.
3. Atmosphere and Spatial Treatment
The background blends pink, blue, and light green through a wet-on-wet technique, generating a hazy atmospheric layer. This chromatic field creates a color echo with the central form, unifying the painting into a single lyrical harmony. By adopting a flattened composition, the artist liberates the image from three-dimensional illusion, allowing color and form themselves to serve as carriers of emotion.
4. Color Psychology and Emotional Tension
From the standpoint of color psychology, pink evokes tenderness and vitality, while blue introduces calmness and balance. The juxtaposition of these hues produces a subtle emotional tension that animates the work. In the interplay of warm and cool, passion and tranquility, the painting speaks in a kind of visual whisper about the integration of life, nature, and art.
5. Abstract Expressionist Spirit
Each layered color and flowing contour reflects the artist’s exploration of formal aesthetics within the language of abstract expressionism. Stripped of figuration, the painting resonates as a poetic meditation on the essence of life, guiding viewers into an aesthetic journey where color, form, and emotion converge in quiet harmony.
Wu Dayu’s Color Grass
Rendered with free brushstrokes and subjective colors, this work constructs abstract flowers that transcend realism. Similarity: Both works employ painterly freedom and expressive color blending to create a poetic, flexible atmosphere rooted in abstraction.
Pang Xunqin’s Vase of Flowers
This series presents flowers in simple forms and bright colors, focusing on formal beauty rather than naturalistic detail. Similarity: Like the present painting, it emphasizes refined abstraction and artistic conception, turning flowers into symbols of elegance.
Odilon Redon’s Bouquet of Flowers
Redon’s dreamy floral compositions use hazy brushstrokes and imaginative colors to hover between reality and fantasy. Similarity: Both works achieve a romantic, surreal temperament, infusing flowers with emotional depth through color poetry.
Henri Matisse’s The Pink Studio
Matisse builds pictorial space with bold colors and generalized shapes, rejecting realism in favor of subjective expression. Similarity: The present painting also uses planar treatment and expressive color blocks, generating a sense of artistic tension that prioritizes feeling over representation.
The inspiration for this painting comes from a small town by the sea. On an early spring afternoon, the sea breeze carried its salty dampness into the village yards. Flowering branches swayed lightly, while a few blossoms had already fallen onto the dirt road, their colors slowly fading. Passing by a house, I noticed an old clay jar standing against the courtyard wall. Weathered by years of wind and rain, its pink glaze had long worn away, leaving only faint traces of color. Inside it were a few sunflowers, their heavy heads bowed low, their petals curling and dry—yet still leaning toward the light.
Beside the jar, the ground bore a thin crack, like a scar left by storms. Water seeped into the soil and gathered into a shallow pool of pale blue. A child passing by bent down with a twig, stirring the surface, watching ripples spread outward like a silent rhythm pulsing through the earth.
From behind the courtyard wall came the faint clatter of bowls and chopsticks, mingling with an occasional bark of a dog. The air was thick with the warmth of cooking and the damp breath of the sea. Petals swayed in the breeze, sometimes falling to rest against the jar’s weathered surface, as if to merge with its worn patterns. The jar stood quietly in the corner, unremarked upon, yet sharpened into clarity by the wind and light.
When I left the town, the bowed flowers, the old jar, and the shifting sounds and scents of the breeze remained with me. Years later, I painted them—soft strokes of pink and blue, faint traces of flower-shadows—an attempt to preserve that fleeting encounter on canvas, like a quiet annotation.
The artist uses a palette of gentle yet rich pink hues to create a warm and airy atmosphere. Pink not only conveys a sense of tenderness but also suggests the pulse of vitality, allowing the painting to remain abstract while still carrying an emotional warmth.
The flowers, highlighted in yellow and brown accents, appear to bloom upon the large curved pink vase, almost like blossoms emerging from an abstract body. This composition gives the artwork a sense of fluid movement while enhancing its poetic and symbolic qualities.
Rather than depicting flowers in a strictly figurative way, the artwork suggests the union of blossoms and the human form through flowing colors and the curved shape of the vase. This fusion of abstraction and subtle representation makes it an ideal choice for decorating living rooms, studies, or other spaces where one wishes to elevate the artistic ambiance.
This painting breaks away from the conventional floral theme by combining soft pinks and blue-green tones with semi-abstract forms of the vase and flower details. The result is a visual language of “grace and strength coexisting”—a style that is relatively scarce in the art market. Its uniqueness makes it highly collectible, especially as part of a modern women-themed art collection.
The piece is grounded in a soft pink base, balanced with a light blue-green background that creates a soothing color harmony. The flower motifs symbolize continuity of life and hope, making this artwork well-suited for bedrooms, meditation spaces, or as a gift for emotional healing and comfort.
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More paintings from this series：
The makeup of desire 1 The makeup of desire 2 The makeup of desire 3 The makeup of desire 5
The makeup of desire 6 The makeup of desire 7 The makeup of desire 8 The makeup of desire 9
The makeup of desire 11 The makeup of desire 12 The makeup of desire 13
The makeup of desire 15 The makeup of desire 16 The makeup of desire 17
