The theme of this year's painting clearly states one - the makeup of desire. People's various desires are wrapped under various makeups. Desires are the intertwining of happiness and pain in life. Either straightforward or subtle, they will appear in makeup, forming a profound look of an era.
Inches: 23.6 x 23.6 in
Size without the frame: 60 x 60 cm
Country: China
Date: 2025
Materials: Acrylic paint on Wood Panel
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land".The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful.Ideas are later.
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1. Composition
The painting centers on the portrait of a woman with closed eyes, her figure positioned firmly in the middle of the canvas. Surrounding her, the background unfolds in a blend of pink, blue, and green. The subject’s deep brown clothing grounds the composition with a sense of stability, while the background radiates lightness and movement. This juxtaposition creates a dialogue between weight and fluidity, serenity and liveliness.
2. Lines
The figure’s contours and the folds of her clothing are outlined with simple yet supple lines. These lines are intentionally unrefined, avoiding excessive polish while retaining a sense of honesty and sincerity. They highlight the subject’s inner spirit while resonating with the looser brushwork of the background, uniting line and color in a shared rhythm.
3. Color
Color is the most expressive element of this work. In the background, pink, blue, and green intertwine like layers of emotion, forming a dreamlike and ethereal atmosphere. The figure’s face glows with soft yellows and subtle blush tones, while the deep brown clothing contrasts sharply with the airy hues of the surroundings. This interplay of warm and cool tones not only emphasizes the subject but also heightens the painting’s emotional intensity.
4. Light and Space
Rather than employing a fixed light source, the work relies on contrasts of brightness and translucency to construct spatial depth. The figure seems to hover between emerging and dissolving into the background, merging with the ambient colors. The space thus shifts between the real and the imagined, amplifying the painting’s dreamlike and spiritual quality.
5. Mood and Atmosphere
The closed eyes form the emotional core of the work. The subject appears withdrawn from external communication, immersed instead in inner stillness and private reflection. The background’s soft, undulating colors suggest the waves of thought and subconscious energy, enveloping the figure in a poetic, meditative aura. Viewers are invited to empathize with this sense of solitude and contemplation.
6. Medium and Expression
The use of acrylic on wood panel brings out dual qualities: delicacy in the rendering of skin and fluidity in the treatment of the background. Variations in thickness, layering, transparency, and tonal shifts enrich the work’s surface, balancing solidity with lyrical lightness. The medium demonstrates acrylic’s unique ability to capture both emotional resonance and spiritual atmosphere.
7. Concept and Meaning
By simplifying forms and abstracting color, the artist liberates the figure from strict realism, situating her in a liminal space of emotion and spirit. The painting is not only an exploration of the inner self but also a reflection on the dialogue between self and world. It becomes a field where vision and feeling converge, showing acrylic’s potential in contemporary portraiture to move beyond representation and reach deeper psychological and spiritual dimensions.
Lin Fengmian, Still Life and Figure
Similarity: Employs simple, fluid lines to outline figures, with bold and rhythmic color combinations that soften realism and create a dreamlike atmosphere. Both works emphasize “line as structure, color as emotion”, breaking from traditional realism and conveying subtle, personal expression.
Sanyu, Blue and White Porcelain Pot with Chrysanthemums (extended from the perspective of figural relevance)
Similarity: Although focused on still life, Sanyu masterfully uses minimalist lines and gentle colors to construct a quiet and detached mood. Like this painting, it abandons complex realism and creates a poetic atmosphere through simplicity, embodying a distinctly Eastern sensibility in emotional expression.
Amedeo Modigliani, Woman with a Black Tie
Similarity: Known for elongated contours and simplified color schemes, Modigliani emphasizes elegant deformation and the transmission of emotion. Similarly, this work minimizes facial realism, using line and color to reveal the figure’s inner spiritual charm and to break free from traditional portraiture.
Henri Rousseau, The Dream
Similarity: Through a naïve artistic style, Rousseau employs flat colors and simple lines to construct a fantastical scene charged with mystery. Like this painting, it abandons conventional techniques, using subjective colors and simplified forms to evoke the inner world and imagination.
This painting creates a portrait of the spirit through the simplification of line, the emotional layering of color, and the ambiguity of space. It reflects the poetic restraint of Eastern aesthetics while harnessing the expressive possibilities of modern materials, opening new dimensions for contemporary portraiture that bridge reality and inner vision.
Her name is Xiao Di, a librarian who spends her days moving between shelves, tending to books long forgotten by time. She keeps few close ties; her work makes up most of her life. Most of the time, she has grown used to this stillness, the rustle of turning pages becoming almost her only companion.
That day, Xiao Di sat by the window. Sunlight spilled across her face, and the gentle warmth made her close her eyes, her brows faintly furrowing as a barely visible smile softened her lips. The world outside seemed to have little to do with her. Once, she had longed for a different life, but those longings had slowly faded, replaced by a deep, steady calm. She no longer chased after anything—she simply stayed there, quietly, content with the moment.
At times, Xiao Di would stand by the window, gazing at the sky as it dimmed toward dusk. She knew her bond with the world had become simple, no longer tangled or demanding. Life carried its own rhythm, one she need not force or reshape. She merely followed, quietly, living in her own way.
I first saw her sitting by the window, her face wrapped in a silence that felt almost profound.
The face is rendered with a blend of pale yellow and soft pink shading, creating a warm and serene quality. Paired with the closed-eye expression, it conveys an atmosphere of quiet introspection and meditation.
The background combines pink, green, and touches of blue, applied with brushstroke-like dot textures. This technique generates a sense of fluidity and lightness, making the figure appear to be enveloped in a dreamlike space.
The piece uses minimalist lines and soft color palettes to portray the figure, emphasizing elegance and tranquility. It holds both artistic collectible value and decorative appeal, making it a perfect fit as a Modern Minimalist Female Portrait Artwork for contemporary homes or curated art spaces.
It merges the elegant simplicity of Eastern line work with the fluid color dynamics of Western painting, resulting in a cross-cultural style female portrait. This uniqueness makes it highly recognizable in the online art market, appealing to collectors who seek culturally blended artworks.
The figure’s closed eyes and the pastel-toned background together create a sense of calm and comfort, allowing viewers to feel psychologically soothed while engaging with the piece. This positions it as a Healing Art Collectible, suitable for meditation rooms, private studies, or art therapy environments.
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More paintings from this series：
The makeup of desire 1 The makeup of desire 2 The makeup of desire 5
The makeup of desire 6 The makeup of desire 7 The makeup of desire 8 The makeup of desire 9
The makeup of desire 11 The makeup of desire 12 The makeup of desire 13 The makeup of desire 14
The makeup of desire 15 The makeup of desire 16 The makeup of desire 17
