This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.
I was in the back seat, and the car drove for a long time. Along the way were scenes from her life.No more whispers in there.
Inches: x in
Size without the frame: 78 cm x 108 cm
Country: China
Date: 2024
Materials: Acrylic paint on paper.
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land".The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful.Ideas are later.
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I. Theme and Narrative
This painting unfolds as a visual carnival of connection and pursuit. The composition is built around flowing strands of long hair, darting fish, and a leaping cat—three elements that seem unrelated in reality but here collide in a fantastical narrative. The cascading hair resembles both a winding road and a vine of memories, through which fish swim as though suspended in air. The cat stretches upward, full of agility and intent. Together, these figures form a romantic metaphor for pursuit, suggesting that one does not need a literal vehicle—artistic imagination itself becomes the vessel that carries us toward the destination of the heart.
II. Colors as Messengers of Freedom
The work’s power lies in its vivid color palette. Sweeping hues of red, yellow, purple, and deep green dissolve the weight of reality, replacing it with dynamism. The fish shimmer with motion, while the cat’s body radiates vitality, as if breaking free from the confines of the canvas. This sense of movement transforms the painting into a declaration of life’s irrepressible energy. In the context of pursuit, these colors function as a visual rhythm of yearning, propelling the scene forward with passion and surprise.
III. Symbolism of Hair, Fish, and Cat
The long hair serves as both structure and path—a symbolic guide through the unknown. The fish, often linked to freedom and fluidity, navigate this hair-road with ease, embodying adaptability. The cat, simultaneously playful and determined, conveys curiosity, independence, and instinctive drive. Their convergence represents the intertwining of instinct, memory, and imagination in the act of pursuing one’s desires.
IV. Surreal Construction
This painting employs surreal collage to reconstruct familiar images in unexpected ways. Hair becomes river, fish defy gravity, and a cat leaps into the intangible. This surreal transformation does not merely distort reality but anchors it in authentic emotions—the human impulse to reach beyond limitations, to chase after unknown horizons. The result is a work that feels both dreamlike and deeply personal, reminding viewers that art thrives not on replication but on imaginative freedom.
V. Philosophical Resonance
Ultimately, the painting turns “her town” into both a concrete place and an abstract ideal. It is not only a literal destination but also a metaphor for inner longing and aspiration. Each strand of hair, each flick of a fin, and each leap of the cat becomes a heartbeat of pursuit, underscoring that life’s true richness lies not only in arrival but in the journey itself. The painting urges us to reject the constraints of ordinary perception and let the romance of art guide us toward the towns of our imagination—spaces where yearning, surprise, and vitality converge.
Francis Bacon, Study of a Figure: Distorted forms and visual intensity that reveal inner psychological tension.
Salvador Dalí, The Persistence of Memory: Surreal juxtapositions and fantastical elements that dissolve conventional logic.
Shi Hu, Xuan Teng Tu: Bold colors and mysterious symbols constructing a dreamlike world with expressive brushwork.
James Ensor, Christ’s Entry into Brussels: Exaggerated forms and fantastical spectacle that provoke reflection through absurdity.
The composition makes extensive use of flame-like oranges and reds contrasted with cool purples and blues. At the intersection of the school of fish and flowing hair, this creates a sense of dynamic movement, generating an atmosphere that feels both fiery and mysterious.
The most unique feature is the interaction between the cat and the strands of hair. The cat’s stretched body intertwines with the falling hair, producing a balance of tension and fluidity, as if enacting a dreamlike chase and struggle.
The fish, rendered with a metallic sheen, sweep across the canvas as if leaping between spaces. They seem to break down the boundary between foreground and background, intensifying the theme of “swimming memories” or “surging subconsciousness.”
It can be classified as Surrealist animal-symbolism painting, or as a form of expressionism blending figuration and abstraction. The work is highly suitable for thematic art exhibitions, psychology-and-art research displays, and also as a cover for publications or a visual centerpiece in cultural spaces.
The painting embodies both narrative symbolism and the qualities of original high-intensity color art. The rare symbolic combination of cat, fish, and flowing hair makes the work exceptionally distinctive, giving it strong appeal for both private collections and curated thematic exhibitions.
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