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For Sangsang

40 cm x 50 cmcollect

This painting was created in 2023. This year I was looking for a balance between life and desire while going out, and the work turned into lively small-size paper creations.

Drawn for a girl, we only met once, we chatted happily. A beauty.

Overall Size: /
Size without the frame: 40 cm x 50 cm
Country: China
Date: 2023
Materials: Acrylic paint on linen
Condition: well preserved

Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

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Reference view

This painting Sang Sang presents a unique portrait scene with simplicity yet great tension. The picture focuses on the figure. The hair, like a lively stream, winds through light and shadow, as if it has its own vitality, gently "telling" the story of an individual. In terms of composition, the figure occupies the core space. The haziness of the background and the relative clarity of the subject create a dialogue, like building an exclusive emotional stage for the figure, guiding the viewer to focus on exploring the inner temperament of the figure.

The use of color is bold and delicate. The blue - purple background is like a quiet night sky, gentle yet mysterious, endowing the picture with a dreamy atmosphere; the green, brown and other tones of the figure's clothing are like the colors of naturally growing vegetation, blending with the background while highlighting layers, giving the picture a vivid sense of breath. The painting style tends to expressive realism. It doesn't pursue absolute realism. Instead, through free and spontaneous brushstrokes and emotional colors, the figure image jumps out of photo - like reproduction and becomes a carrier of emotion and soul, as if injecting a magic that can transmit warmth into the portrait.

The emotional expression is sincere and implicit. From the eyebrows and eyes to the demeanor, it conveys a kind of thought in tranquility and firmness in softness, like a gentle spring breeze. Although not strong, it can penetrate into people's hearts, arousing the viewer's curiosity and empathy for the unique individual "Sang Sang". In terms of similar artists, it has a spiritual echo with Amedeo Modigliani's portraits. Both use simple lines and subjective colors to explore the charm of figures. However, this work has more of the gentle and delicate qualities in Oriental aesthetics. It transforms the observation and understanding of the figure into the soft chant of colors and brushstrokes, making "Sang Sang" not just a portrait, but a window for the dialogue between art and life, quietly revealing the faint light of humanity on the canvas and leading the viewer to savor the rich world hidden under the ordinary face.