This painting was created in 2023. This year I was looking for a balance between life and desire while going out, and the work turned into lively small-size paper creations.
"Through My Eyes: The Incomprehensible Bird", there are 9 paintings in the series with this title. They are my small exploration attempts at portrait painting, so the techniques used in each painting are different, and the final picture effects are also different. It can provide ideas for future creations.
There were originally more small paintings like this, but in the end it was these few that were confirmed through my eyes over and over again. Each of them maintains its own unique beauty.
Inches: x in
Size without the frame: x cm
Country: China
Date: 2023
Materials: Acrylic paint on paper.
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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Paul Cézanne, Woman with a Hat
– Employs block-like forms and layered color planes to structure the figure and convey depth of thought.
Egon Schiele, Portrait of a Girl
– Uses sharp, angular brushstrokes and heightened color contrasts to capture the psychological tension of the sitter.
Wu Dayu, Portrait
– Explores romantic lyricism through fluid brushwork and a vibrant rhythm of colors, merging form with emotion.
Oskar Kokoschka, Portrait of a Woman
– Relies on expressive strokes and subjective colors to reveal the sitter’s emotional interiority, prioritizing feeling over realism.
The painting makes extensive use of diluted pale blues, gray-violets, and milky whites, layered into semi-transparent veils. Compared to the more saturated palettes of earlier works, this composition feels more airy and breath-like, as if it were a visualization of atmosphere itself.
The gaze does not meet the viewer but instead slants downward, while the lips carry a faint sense of restraint. This subtle handling draws the subject into an inner emotional world, giving the viewer the impression of witnessing unspoken thoughts.
The background is built from blurred, dissolving strokes of cool tones that intermingle with the hair and facial contours. Boundaries are softened, creating an effect of mutual absorption, as if the figure were dissolving into the surrounding atmosphere.
Where earlier pieces emphasize facial features and hand gestures, this one turns toward atmosphere and psychological presence. Form is softened, color is muted, and brushwork becomes hazy, pushing the work into the realm of a “psychological portrait”—a more introspective phase within the series.
Academically, it marks the artist’s transition from figurative portraiture toward atmospheric, psychological portraiture, revealing a crucial moment of stylistic evolution.
For collectors, this piece serves as the series’ most lightweight and meditative counterpoint, offering a striking contrast to the more intense, color-rich works.
Its value lies in the artist’s mastery of diluted watercolor techniques, semi-transparent layering, and the abstraction of psychological states, providing evidence of a diverse artistic vocabulary. As such, it is both a standalone treasure and an essential complement within the series.
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