This painting was created in 2023. This year I was looking for a balance between life and desire while going out, and the work turned into lively small-size paper creations.
"Through My Eyes: The Incomprehensible Bird", there are 9 paintings in the series with this title. They are my small exploration attempts at portrait painting, so the techniques used in each painting are different, and the final picture effects are also different. It can provide ideas for future creations.
There were originally more small paintings like this, but in the end it was these few that were confirmed through my eyes over and over again. Each of them maintains its own unique beauty.
Inches: x in
Size without the frame: x cm
Country: China
Date: 2023
Materials: Acrylic paint on paper.
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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I. Subject and Cultural Context
This painting presents a female portrait through a restrained yet evocative approach. The artist employs acrylic on paper with a treatment that resonates with both Eastern aesthetics and modern experimentation. The smooth, flowing transitions of color—particularly the delicate pink, gray-blue, and muted tones on the face—evoke a sense of subtle emotional depth. This understated mood aligns with the Eastern pursuit of “artistic conception” , where suggestion and atmosphere take precedence over literal representation.
II. Technique and Form
Rather than relying on detailed realism, the portrait uses generalized shapes and simplified contours to capture the subject’s expression. The deliberate restraint in line and form reflects the Eastern artistic principle of “emphasizing spiritual resemblance over physical likeness” . By avoiding excessive detail, the painting achieves a meditative quality that encourages viewers to project their own emotional readings onto the figure.
III. Cross-Cultural Dimension
The integration of watercolor-like transparency and ink-painting agility highlights a cross-cultural synthesis. Although rooted in Chinese tradition, the painting adopts techniques recognizable to an international audience, forming a visual bridge between East and West. In this way, it demonstrates how cultural heritage can serve as a foundation for innovation while engaging in global dialogue. The result is a portrait that feels simultaneously local and universal, intimate yet open to interpretation.
IV. Artistic Significance
This painting reveals how contemporary Chinese creators are reinterpreting traditional cultural “genes” within modern media. By balancing simplicity with expressiveness, the work conveys humanistic warmth through restrained brushwork and subtle tonal shifts. More broadly, it exemplifies how cultural roots can support new explorations, ensuring that artistic traditions remain vital while contributing fresh perspectives to the pluralistic ecology of contemporary art.
I. Chaim Soutine, Portrait of a Woman
Expressive brushstrokes and intense colors emphasize emotional turbulence through distorted shapes.
II. Amedeo Modigliani, Jeanne Hébuterne
Simplified lines and gentle palettes highlight elegance and intimacy with minimal detail.
III. Erich Heckel, Portrait
Expressionist use of subjective colors and angular strokes exposes the psychological depth of the sitter.
IV. Pang Xunqin, Figure
Decorative linearity and vivid colors combine modernist form with a distinctly Eastern sensibility.
The facial lines are deliberately simplified and distorted. In particular, the lips are rendered with a symbolic intent rather than naturalistic detail, becoming a visual sign of inner emotion. Through this “almost-human-yet-not” treatment, the artist transforms appearance into a psychological projection.
The painting is dominated by gray-blue, pale violet, and soft pink, contrasted by the brightness of the lips and eyes. The cool tones evoke detachment and rationality, while the sudden red accents suggest hidden impulses or inner unease, creating an atmosphere both hazy and emotionally charged.
Although no bird appears literally, the title functions as a metaphor. The bird symbolizes freedom, longing, or restless thought. The subject’s contemplative gaze makes it seem as if the viewer could glimpse an invisible bird through her eyes.
This painting belongs to a fusion of Expressionist portraiture and Symbolist painting. It does not seek physical accuracy, but instead conveys the ambiguity of inner states through abstracted facial features and symbolic use of color.
Portraits with psychological undertones and symbolic resonance hold a special place in contemporary art collections. This piece serves both as a mirror of the viewer’s own psyche and as an object of spiritual reflection. Unlike traditional portraiture, it offers open-ended interpretations, making it suitable for private collections as well as exhibitions on psychological or symbolic art.
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