The theme of this year's painting clearly states one - the makeup of desire. People's various desires are wrapped under various makeups. Desires are the intertwining of happiness and pain in life. Either straightforward or subtle, they will appear in makeup, forming a profound look of an era.
Inches: 15.7 x 15.7 in
Size without the frame: 40 x 40 cm
Country: China
Date: 2025
Materials: Oil paint on board
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, and the people upon it" . The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful.Ideas are later.
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Artwork Interpretation
Overall Overview: Veiled Perception 5 centers on a female figure in a crimson gown, standing against a backdrop of swirling blue-violet skies and multicolored ground. The work employs color and texture as its primary language of veiled perception.
Subject and Concept: The face remains deliberately muted, erasing individual identity while directing attention to the body’s posture, the glow of edges, and the emotional projection of the viewer. Presence is created through absence.
Form and Gesture: The figure leans with a gentle S-shaped rhythm, the shoulders and chest modeled with soft transitions. Dark strokes beneath the feet act almost like punctuation, grounding the otherwise floating figure. The form oscillates between figuration and symbol.
Composition and Space: Broad strokes in the background simulate movement, while decorative white leaf-like motifs on the left form a bridge between foreground and distance. Negative space functions not as emptiness but as an energy field that propels the gaze.
Color and Light: A bold opposition between warm red and cool blue defines the painting. The gown radiates halos of yellow and pale green along its edges, producing a luminous contour. The ground reflects pinks and ochres, creating a rhythmic echo throughout.
Brushwork and Texture: The canvas reveals an interplay of wet blending and dry strokes. Large areas are swept with loose strokes suggesting fabric, while the edges dissolve into intentional blurs. The inner layers of the gown show semi-transparent pulses of color.
Content and Theme: The painting merges exposure and concealment—the body becomes a vessel for light and emotion, while the omission of facial details allows color to assume the role of narrative voice.
Mood and Rhythm (Unconventional Lens): Compared with Veiled Perception 4, which leaned toward heaviness and geological density, the fifth work feels lighter, lyrical, and almost decorative. The mood shifts from dramatic intensity to poetic buoyancy.
Comparative Conclusion: If Veiled Perception 4 emphasized terrain and tension, Veiled Perception 5 emphasizes the songlike qualities of color and ornamental rhythm, extending the series’ narrative from earth to air to light.
Similar Works Reference
Henri Matisse, The Red Studio — comparable in its domination of space by red and decorative integration.
Milton Avery, Seated Red Nude (1944) — shares the simplified figure and calm chromatic fields.
Mark Rothko, No. 61 (Rust and Blue) (1953) — parallels in its glowing borders and breathing fields of color.
Amedeo Modigliani, Jeanne Hébuterne with Red Scarf (1917) — relevant for its elongated proportions and muted facial features.
Lin Fengmian, Lady in Red (c. 1940s) — resonates in its lyrical gestures and the interplay of Eastern restraint with Western modernism.
Unlike the Similar Works cited for Veiled Perception 4 (which emphasized landscape and dramatic tension), these references highlight ornament, rhythm, and the lyrical treatment of the figure, aligning more closely with the aesthetic voice of Veiled Perception 5.
Q1: What is the visual role of the white leaf-like motif on the left side of the canvas?
A: These decorative strokes act both as ornamental patterns and as directional guides, leading the gaze from left to right. They function as a visual bridge, linking ground hues with the expanse of sky, softening the dominance of the central figure.
Q2: How do the yellow and green halos around the red gown affect the viewing experience?
A: They represent the vibration of complementary contrasts, making the gown appear to radiate light. The shimmering edges give the impression that the figure is breathing within a luminous field, heightening immediacy.
Q3: Where is the best place to display this contemporary figurative abstract painting for maximum effect?
A: Ideal locations include a modern minimalist living room, boutique hotel lobby, or contemporary gallery exhibition space. The bold contrasts and decorative resonance allow the work to function as a powerful visual anchor.
Q4: For collectors interested in contemporary female-themed paintings and color psychology, what is the significance of this work?
A: As an original oil on canvas / contemporary figurative abstract artwork, it holds value for its distinctive chromatic language and its role in a narrative series. It is well-suited for private collections or corporate art displays, with potential for appreciation through both display and scholarly dialogue.
Q5: What advantage does exhibiting this piece alongside Veiled Perception 4 offer?
A: The two works complement each other: No. 4 emphasizes geological density and dramatic force, while No. 5 emphasizes lyricism and ornament. Displayed together, they form a cohesive sequence—earth, air, and light—enhancing both curatorial coherence and collectible value.
A: Click here to view ARTPHILOSO's Guide for Collectors.
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