The theme of this year's painting clearly states one - the makeup of desire. People's various desires are wrapped under various makeups. Desires are the intertwining of happiness and pain in life. Either straightforward or subtle, they will appear in makeup, forming a profound look of an era.
Inches: 15.7 x 15.7 in
Size without the frame: 40 x 40 cm
Country: China
Date: 2025
Materials: Oil paint on board
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, and the people upon it".The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful.Ideas are later.
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Artwork Interpretation
Subject Matter and Title
The painting captures the waist-to-leg section of a reclining female figure within a simplified interior. By omitting the face, the body is removed from the realm of “portraiture” and becomes a carrier of heat and materiality. As the series finale, the word “blazing sun” transforms here into the afterglow of dissipated heat within an enclosed space.
Form and Pose
The body stretches into a long line, the hip-to-foot forming a single diagonal axis, as if elongated by time. Outlined in purples and greens, with cool highlights in yellows and pinks, the treatment emphasizes condensed muscular volume, shifting away from a straightforward reference to desire.
Composition and Space
The square format is divided into red–white–blue-green geometric fields of walls and bedding: the figure occupies the lower left corner, while the right side is dominated by negative space defined by a blue-green wall. Two small outlets on the wall act as scale anchors. In sum: the body’s diagonal line confronts the rectilinear walls, creating a theatrical dialogue of “flesh versus architecture.”
Color and Light
The key device is displacement of warm and cool: the skin rendered in grays, pinks, and lemon yellows signals warmth, while the environment sinks into blues and violets. On the right wall, layered glazes and sgraffito-like incisions create rippling patterns, like isothermal lines of fading heat, echoing the series’ central theme.
Brushwork and Texture
The wall is built with thin layered washes and scratching, leaving a network of cracks. At the junction of bed and body, wet-on-wet dragging softens transitions. The thick impasto on the hips and knees forms tactile nodes. The rhythm of brushwork shifts from rigid to soft, marking the passage from object to flesh.
Narrative and Symbolism
By eliminating the head and facial expression, the work redirects the gaze from “identity” to posture and temperature. Outlets, wall seams, and bed folds serve as everyday markers, grounding the scene in a record of life’s residual heat, rather than mythological nudity.
Emotion and Thematic Expression
The overall mood is restrained and subdued. The elongation of the legs transforms sensuality into relaxation after exhaustion. The cool tones of the environment press remnants of desire into a muted interior soundscape. In essence, the theme articulates: when heat fades, body and space cool one another.
Similar Works Reference
Edward Hopper, Woman in the Sun — Shares the sense of solitary coolness and flat interior planes; this painting pushes further into anonymity through de-facialization.
David Hockney, A Bigger Splash — A kinship in geometric segmentation and physical traces; here, “water ripples” are transposed into heat-wave striations on the wall.
Edgar Degas, The Bathers — Comparable in cropped immediacy of the nude; this work translates intimacy into structural counterpoint.
Lucian Freud, Reclining Nude — Shares the weight and tactile nodes of flesh; here replaced by cool hues and extended diagonals rather than dense impasto.
Giorgio de Chirico, Metaphysical Interiors — A model for the theatricalization of space and objects; this painting repositions metaphysical suspension into an ordinary room.
Édouard Manet, Olympia — A crucial foil in the ethics of looking: the other’s direct gaze versus this work’s anonymous cold stage.
Recommendation: These references—through cropping strategies, geometric space, warm–cool displacement, and interior mood—offer useful parallels for reading The End of the Blazing Sun 10, highlighting its role as the series’ final condensation, shifting from heat to stillness.
Q1: What is unique about the representation of the figure in this painting?
A1: Only a portion of the figure is shown, with the waist-to-leg lines elongated and emphasized. The skin tones are layered with purple, yellow, and orange blocks of light and shadow, giving the form a sculptural sense of volume that feels both abstract and representational.
Q2: What is special about the spatial design of the composition?
A2: A large blue-green background on the right contrasts sharply with the red-and-white block area on the left, resembling the patched surfaces of an interior wall. This contrast not only provides a dynamic warm–cool tension but also makes the figure’s presence more pronounced.
Q3: How do the layers of color enhance the visual effect?
A3: The yellow and reddish-purple hues of the legs blend together, with visible textured brushstrokes that add dynamism to the figure. Meanwhile, the blue-green ground is covered with fine scratch-like marks, evoking the feel of water ripples or wind traces, which bring a sense of movement to the composition.
Q4: What is the significance of this piece within contemporary figurative painting?
A4: By depicting the female body in a semi-abstract manner, the work transforms traditional nude studies into a form of symbolic expression. It is especially relevant for exploring the relationship between body and space in modern art, making it suitable for academic exhibitions and thematic showcases.
Q5: From a collection perspective, what advantages does this painting offer?
A5: Through its interplay of spatial color blocks and emphasized body fragments, the piece creates a distinctive tension, giving it the qualities of an expressionist contemporary nude oil painting. Whether in private art collections or gallery displays, it reflects the artist’s deep engagement with the dialogue between form and space.
Q6: What unifying traits can be seen in the color language of The End of the Blazing Sun series?
A6: The series employs a vivid warm–cool contrast—interweaving blue, purple, and green with orange, pink, and yellow. This interplay creates both fluidity and luminous tension in the figures and their environments. Each painting maintains individuality while preserving a consistent artistic atmosphere.
Q7: Which expressive techniques does the artist continue in the portrayal of figures across the series?
A7: The series consistently uses a semi-abstract approach to the human body, with elongated, twisted, or fragmented contours. Instead of full realism, the artist emphasizes specific fragments and layered color fields, guiding the viewer toward the emotional resonance between form and color.
Q8: Is there a consistent approach to spatial treatment in this series?
A8: The space is often constructed with large blocks of background color, textured with blurs or scratches, creating contrast and resonance with the figures. The background is never mere backdrop; it actively participates in the emotional tone, embodying a sense of unity between human and environment.
Q9: From an art historical perspective, what is the value of The End of the Blazing Sun series?
A9: The series combines the intensity of expressionist color with the symbolic abstraction of contemporary figurative painting, breaking away from traditional realism. It serves as a significant case study for examining the relationship between body and space in contemporary art, making it well-suited for modern art exhibitions and research in expressionist traditions.
Q10: For collectors, what is the significance of acquiring this series as a whole?
A10: As a complete body of work, The End of the Blazing Sun showcases the artist’s diverse explorations within a unified theme. It represents not only a strong entry in contemporary oil painting series collections but also offers lasting academic and market potential. Its coherence and research value make it highly suitable for acquisition by institutions, galleries, and private collectors as an integrated series.
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More paintings from this series：
End of the Blazing Sun 1 End of the Blazing Sun 2
End of the Blazing Sun 3 End of the Blazing Sun 4
End of the Blazing Sun 5 End of the Blazing Sun 6
End of the Blazing Sun 7 End of the Blazing Sun 8
