This painting was created in 2020, the year I just graduated from college and was in a period of transition. The subject matter and style of painting continued from my college days.
The reference pictures for the series "Urban scene in architecture" all come from selfies taken by several of my friends. My friends and I met in the early days of "urban construction," and when I painted them, they were all hastily building themselves along with the urbanization process. This is the era I live in and the path that our peers in the same situation must take.
Inches: x in
Size without the frame: x cm
Country: China
Date: 2023
Materials: Oil paint on linen
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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realistic painting,simple flower painting,figure painting,self-portrait as the allegory of painting.
The woman gazes slightly upward, meeting the viewer with an expression that is both calm and faintly questioning. Her look functions like a self-dialogue, as though she is conversing with herself while simultaneously drawing the viewer into her inner reflection.
The dark gray background, loose and slightly chaotic, contrasts with the subject’s white clothing. This gray space works as a metaphor for the city, blurry yet heavy with pressure. Against this backdrop, the woman’s thoughts feel distant and isolated, reinforcing the painting’s urban context.
While the face and clothing are rendered with realistic detail, the flowing brushstrokes introduce a sense of emotional instability. In the background, compressed shapes resembling architectural or geometric forms emerge, hinting at urban symbolism. This interplay between realism and abstraction captures the tension of identity in the city space.
Her body leans slightly to the side, relaxed yet never fully at ease. By staring directly at the viewer, she closes the distance, but her cool expression maintains a sense of separation. The result is a powerful tension between intimacy and detachment.
This piece blends realist portraiture with contemporary psychological metaphor, making it highly relevant to modern art collecting. It stands as both a symbol of female self-narrative and a direct record of how urban environments shape personal psychology. Collectors can recognize in it timeless themes—loneliness, self-dialogue, and identity—that give the painting lasting cultural and market significance.
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