This painting was created in 2019. This year is the third year of college. I started to prepare for my graduation work, so I tried paintings with more concepts, depth and formal unity. In these paintings, you Being able to begin to see a more specific me. Such attempts did add weight to the work, but it was only a small step compared to the depth that would later come with the weight of life. Then came the COVID-19 epidemic at the end of the year, and the future that people expected changed its face, either urgently or slowly.
The painting is painted with thin colors and is completed in one go.
What is recorded is a short dialogue between Xing'an Mountains, reindeer and people.
Inches: x in
Size without the frame: x cm
Country: China
Date: 2019
Materials: Oil paint on linen
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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A1: The red cloak. The girl’s cloak blazes like a flame against the cold forest and the shadowed reindeer, creating a dramatic contrast. It not only captures the viewer’s attention but also serves as a symbolic expression of vitality and life force within the composition.
A2: Although the girl and the deer do not make direct physical contact, her lowered stance suggests a silent spiritual connection with the animal. The deer’s vast antlers extend toward her, almost merging with her body. This delicate distance—neither fully apart nor fully entwined—symbolizes the fragile symbiosis between human and animal.
A3: The forest is dense, gray-green, and chilling—functioning like a heavy theatrical backdrop. It isolates both figures, turning the wilderness into a stage of vulnerability. In this barren, unprotected space, the girl and deer’s reliance on each other becomes more poignant, underscoring the theme of interdependence in solitude.
A4: The deer lies on the ground, its body massive yet weary. Its antlers, branching like a fallen forest, embody both fragility (its resting, vulnerable state) and strength (the intricate power of its structure). This duality resonates with the theme of coexistence, where strength and weakness are bound together in mutual reliance.
A5: The mood is quiet yet weighty. The girl’s downcast gaze conveys introspection or sorrow, while the fiery red of her cloak contrasts with the deer’s exhaustion. The effect is not one of fairytale lightness but rather a meditation on the delicate, dangerous, yet tender dependency that binds humans and nature.
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