This painting was created in 2016, the year I just entered university. Compared with the previous exercises to improve my skills, this year is the beginning of my artistic career. Being confused and trying, exploring, and seeking new ideas in painting are essential processes.
Overall Size:
Size without the frame: 190cm x 210cm
Country: China
Date: 2016
Materials:
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land".The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful.Ideas are later.
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In terms of composition, it follows the classical order. The two plaster statues and geometric bodies are distributed in a triangular pattern, echoing the sense of stability in Renaissance altar paintings. Just like Raphael's arrangement of spatial layers in his sketches, it builds visual anchor points through the scattered placement of objects, allowing the viewer's eyes to naturally wander among the primary and secondary forms.
The juxtaposition of two heads facing different directions creates both contrast and resonance, as if suggesting a dialogue between past and present, or inner and outer thought. This dual arrangement lends the plaster cast study a distinct sense of narrative.
The geometric form introduces a rational rhythm to the otherwise weighty plaster portraits. Functioning as a structural anchor in the layout, it reinforces stability while balancing the organic contours of the heads.
As an organic shape, the fruit contrasts with the strict geometry and the plaster cast heads. It softens the austere, linear background, infusing the scene with a natural rhythm and a touch of warmth.
The strands of hair are drawn with light, fluid lines and refined hatching. This technique transforms the otherwise rigid plaster into a surface alive with visual rhythm and vitality.
The angled strokes break the stillness of the backdrop, extending depth into the composition while connecting the subjects with their environment. This creates a spatial tension that makes the study feel more dynamic.
