place where the language of flowers is pale

30 x 40 cmcollect

This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.

The face is the language of flowers

Overall Size: /
Size without the frame: 30 x 40 cm
Country: China
Date: 2024
Materials: Acrylic paint on linen.
Condition: well preserved

Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land".The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful.Ideas are later.

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Reference view

Place where the language of flowers is pale constructs an emotional field blending reality and illusion with dreamy and tension - filled brushstrokes. In the painting, the forms of the human body and flowers, through line outlining and color blending, show a soft sense of boundary dissolution. The interweaving of pink, purple, and blue tones creates a hazy atmosphere, echoing the poetic blank space of “the pale place”.

The lines of the figure’s face and body carry the spontaneity of Expressionism, weakening realistic details and intensifying emotional conveyance — the relaxation of the eyebrows and eyes, and the curling of the limbs, seem to be having a soulful dialogue with the flowers. The color layers of the flowers, showcased with the glazing technique to present a transparent texture, form a warm - cool collision with the warm tones of the human body, conveying complex inner fluctuations: the language of flowers should be a carrier of passionate emotions, yet “the pale place” implies the obscurity, aphasia, or disappearance of emotions.

With Symbolism as the backbone, the creator uses the human body as an emotional container and flowers as a carrier of language. The blending of colors and the dislocation of forms tell how, when the language of flowers fails, the soul, with a silent posture, seeks an emotional outlet in the gaps between colors and lines. Each overlay of paint and each wandering of lines decodes the duality of “paleness”: it is both the loneliness of indescribable emotions and the imaginative space that blankness endows to art.

This painting leads viewers to penetrate the surface of the picture, touching the loneliness and contemplation of the soul when the language of flowers loses its voice. It allows people to experience the charm of art’s emotional materialization, and understand how, when “paleness” transcends the concept of color and becomes a visual symbol of the soul’s folds, painting uses a fantastical composition to complete the poetic decoding of hidden emotions. In the transparency of colors and the blending of forms, it explores the infinite possibilities of the coexistence of emotions and art.

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