Hot sun and wind

780 $

This painting was created in 2018. With the end of the sketching class this year, my sketching journey stopped at a few simple drawings for Miss Hui. Of course, my oil painting skills have also improved a lot in the past year or so, and I have carefully explored my own way of speaking.

Overall Size: /
Size without the frame: /
Country: China
Date: 2018
Materials: Oil paint on linen
Condition: well preserved

Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

If you would like to collect this artwork or know more about the artist, please contact us.

Reference view

landscape painting canvas for wall deco sky mountain landscape paintings

Artwork Interpretation

The Intense Sun and Wind is a vivid depiction of nature. In terms of form, the mountains and clouds abandon fine realism, with general brushstrokes outlining their shapes. The undulation of the mountains and the gathering and dispersing of the clouds are similar to the landscapes painted by Corot, capturing the charm of nature with simplified outlines. Yet, they carry a stronger sense of the present, condensing the moment of the sun's scorching and the wind's blowing into touchable visual symbols.

The composition builds an order through the correspondence between heaven and earth. The blue sky and clouds occupy most of the upper space, and the mountains, as a heavy base, support them, forming a “heaven - earth” dialogue. This layout is similar to the creation of a grand atmosphere in Turner’s landscapes. However, it lacks the grandeur of towering waves and has more of the quiet tension of a sunny day in the countryside, allowing the viewer’s eyes to wander between heaven and earth and feel the vast tolerance of nature.

Color is the highlight. The bright blue of the sky, the interweaving of white and gray in the clouds, and the mottled yellow - green of the vegetation on the mountains are not only faithful to the visual impression under the sunlight but also convey the temperature through color layers. Like Sisley’s Impressionist landscapes, which focus on the instant capture of light and color, the warmth of the sun penetrating the clouds and the vividness of the mountain wind passing through the grass color in this painting all flow naturally in the color rendering, replicating the passion and clarity in “the intense sun and wind”.

The brushwork is spontaneous and rhythmic. Thick applications stack the heavy texture of the mountains, and light sweeps render the fluffy texture of the clouds. The brushstrokes, either short or extended, are like the breathing rhythm of nature, echoing the emotional explosiveness of the brushstrokes in Van Gogh’s wheat field series. But here, the passion is transformed into a gentle tribute to the daily landscape, with each stroke telling the shape of the wind and the temperature of the sun.

In terms of content and theme, it focuses on the ordinary countryside, yet reflects the whole through the part. By using the specific situation of “the intense sun and wind”, it evokes resonance with the true nature. The emotional expression is implicit yet full. Without deliberate sentimentality, it makes the viewer, in the colors and brushstrokes, empathize with the comfort of the sun on the face and the mountain wind in the ears, as well as the spiritual comfort brought by the eternal vitality of nature.

Recommended works with similar styles: Recollections of Mortefontaine by Corot, The Fighting Temeraire by Turner, and Flood at Port - Marly by Sisley. In these classics, one can continue to explore the wonderful integration of natural landscapes and artistic expressions.

FAQs

Q1: Why does the sky appear especially transparent in this painting?

A1: The sky is rendered with highly saturated ultramarine mixed with white, layered in gradual transitions. This creates both a clear sense of depth and a flowing airy quality, producing an unusually expansive visual tension.

Q2: How is the texture of the clouds created?

A2: The clouds are built with rounded, dense layers of oil paint, while their edges are softened with light sweeping strokes. This makes them appear both cotton-like and weighty, as if drifting and shifting in the wind.

Q3: What is distinctive about the brushwork of the grassy slope?

A3: The slope is painted with short, slanting strokes aligned with the direction of the wind, evoking the rhythm of grass swaying under strong gusts. The interplay of deep greens, earthy browns, and bright yellows conveys the light and shadow of the grass under the blazing sun.

Q4: What artistic approach does this landscape represent?

A4: Fierce Sun and Wind aligns more closely with the Impressionist plein air tradition, emphasizing the fleeting play of light and atmosphere rather than meticulous detail. It is well-suited for outdoor painting study, Impressionist research, and exhibition, reflecting the artist’s direct response to the vitality of nature.

Q5: Where does the value of this work lie for collectors?

A5: Despite its modest scale, the painting condenses a vivid sense of nature’s force and temporality, allowing viewers to feel the very “traces of the wind.” As an immediate plein air oil sketch, it is not only ideal for private collections and interior display, but also holds research value. Within the context of contemporary plein air practice and nature-themed collections, it adds energy and breath to a series.