Disturb 2

70 x 90 cm2380 $

This painting was created in 2019. This year is the third year of college. I started to prepare for my graduation work, so I tried paintings with more concepts, depth and formal unity. In these paintings, you Being able to begin to see a more specific me. Such attempts did add weight to the work, but it was only a small step compared to the depth that would later come with the weight of life. Then came the COVID-19 epidemic at the end of the year, and the future that people expected changed its face, either urgently or slowly.

 

The people and natural objects in the painting form a stable order. Only then can we stabilize our sight and face the inner turmoil.

 

Inches:  27.5 x  35.4  in
Size without the frame: 70 cm x 90 cm
Country: China
Date: 2019
Materials: Oil paint on linen
Condition: well preserved

 

Creative themes and style |   My works revolve around the creative concept of  "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

 

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Artwork Interpretation

 

Disturbance weaves a philosophical visual narrative with a unique artistic language. In terms of composition, the juxtaposition of the real figure and the illusory shadow breaks the boundaries of time and space. It seems to be inspired by Magritte's surreal composition, creating a visual paradox with "dual images", guiding viewers to ponder the connection between reality and illusion, the present and the past, and constructing a profound spiritual field with a simple layout.

 

The use of color is restrained and full of metaphors. The cold gray main tone creates an alienated atmosphere, and the pink of the figure's earrings becomes a glimmer that pierces the dullness. Similar to how colors in Anselm Kiefer's works carry history and spirit, it conveys emotions through color contrast. The collision between cold and warm implies the individual's struggle between reality and memory, making color a hidden line of emotion.

 

The brushwork technique combines delicacy and roughness. The depiction of the real figure's hair and clothing patterns is precise, anchoring the foundation of realism; the loose brushstrokes of the illusory shadow and the background add a hazy texture. It can be compared to Alberto Giacometti's presentation of existence and nothingness in his paintings. By using differences in brushwork to distinguish between reality and the spiritual dimension, it strengthens the chaos and speculation of "disturbance".

 

In terms of content and theme, focusing on "disturbance", through the symbiosis of reality and illusion, it explores the dialogue between the individual and the self, the present and the past. It coincides with Frida Kahlo's exploration of self - identity, yet with a more implicit dual image, it excavates the folds of memory in the heart, an artistic decoding of the complexity of the individual's spiritual world, writing a survival fable of contemporary people in the gap between reality and spirit.

 

In terms of emotional expression, it is restrained and profound. The quiet posture of the real figure and the silent outline of the illusory shadow convey lonely self - reflection and the entanglement of memory. The cold gray tone is like a filter of memory, and the pink earrings are like sparks of hope. Between the interweaving of reality and illusion, it tells the pain and thinking of the individual being pulled by reality and the past. In the context of contemporary painting, with a unique perspective, it inquires into self - existence, continuing art's eternal gaze at the depth of human nature, like a prism, reflecting the spiritual spectrum of the individual in the "disturbing" world.

 

 

Recommended Works with Similar Styles

 

  • Sohbi Hayashi, Overlapping Thoughts:Soft brushstrokes and light color blending convey interwoven inner emotions via overlapping figures.

  • Tsuguharu Foujita, Phantom Companion:Delicate lines and gentle undertones build a virtual - real symbiotic mood with shadow symbols.

  • Osamu Obi, Daily Double Image:Plain forms and life - like tones present growth and self - dialogue via figure juxtaposition.

  • Charles Alphonse Achard, Projection of Memory:Direct brushstrokes and real colors metaphor the connection between past and present with shadows.

  • Gong Lilong, Folk - custom Double Shadows:Rough brushstrokes and rich colors integrate folk memories and reality with shadow symbols.

Q1: Why does the painting adopt a “dual portrait of figure and shadow” composition?

A1: In the foreground, we see a clear side profile of the woman, while in the background appears her enlarged shadow-like silhouette. The disparity in scale creates a layered effect, resembling a psychological projection. This dual portrait structure allows the work to hold both a sense of realism and an inner allegory, as though the viewer is witnessing the coexistence of outer appearance and inner self.

 

Q2: Why do both the figure and her shadow wear the same red earrings?

A2: Both the visible profile and the shadow silhouette carry a crescent-shaped red earring. This mirroring detail strengthens the dialogue between the “real” and the “projected,” turning the earring into an identity marker. It functions as a symbolic thread across the painting, reinforcing the idea of self-reflection and dual presence.

 

Q3: What is the role of the vertical red form in the lower right corner?

A3: The crimson vertical element resembles a spinal column, visually aligned with the dark silhouette of the body. By introducing this symbolic form, the artist allows body and psyche to intersect on the canvas. It becomes a sign of internal fracture or tension, intensifying the psychological depth of the work.

 

Q4: How can this piece be positioned within contemporary art categories?

A4: Disturb 2 (2019) is at once a Symbolist oil painting and a psychological portrait. Rather than documenting physical likeness, it constructs a dialogue through projected shadow forms, red symbols, and ornamental detail to explore the relationship between mind and world. Within contemporary collections, it resonates strongly with works categorized under psychological allegory or inner landscapes, highlighting its rarity and spiritual depth.

 

Q5: Where does the value of this work lie in terms of collecting and display?

A5: Through its restrained palette and sharp formal contrasts, the painting establishes a unique atmosphere of contemplation. As a work rich in psychological symbolism, it suits not only private collections but also curated exhibitions, especially those addressing themes of self-perception and female inner landscapes. Its layered meaning ensures lasting resonance with audiences, inviting reflection on the unsettled layers of the self.

 

What should I pay attention to when buying an artwork or its derivatives?

A: Click here to view ARTPHILOSO's Guide for Collectors.

 


 

More paintings from this series:

Disturb

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