This painting was created in 2019. This year is the third year of college. I started to prepare for my graduation work, so I tried paintings with more concepts, depth and formal unity. In these paintings, you Being able to begin to see a more specific me. Such attempts did add weight to the work, but it was only a small step compared to the depth that would later come with the weight of life. Then came the COVID-19 epidemic at the end of the year, and the future that people expected changed its face, either urgently or slowly.
The growth of emotions and love is like the growth of an embryo, like the growth of blood vessels and meridians in the body, like the growth of lightning, like the growth of vine leaf veins.
Inches: 78.7 x 78.7 in
Size without the frame: 200 cm x 200 cm
Country: China
Date: 2019
Materials: Oil paint on linen
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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A1: The back-facing posture prevents direct eye contact, instead guiding the viewer’s attention to the body’s curves and the flow of surrounding energy. This composition emphasizes inner growth and self-contemplation rather than outward display.
A2: The petal-shaped structures resemble a dress, a seashell, or even a womb, evoking the image of a cosmic energy field. Enveloping the figure, they symbolize an emotion or vitality that is germinating and taking shape.
A3: The title references Borges’ Aleph, a literary metaphor for a single point that contains all of time and space. Here, “Aleph” suggests that love and desire are not only personal experiences but also part of a universal process of growth and expansion.
A4: The figure’s bent, curled posture resembles a seed in germination, while the flowing natural forms and colors act as nourishing energy. The red markings and green radiance convey the sense of love and emotion expanding simultaneously within the body and into the outer world.
A5: Water symbolizes both the origin of life and the fluidity of emotion. The painting’s ripple-like rhythm creates an atmosphere of constant movement and transformation, turning the theme of love’s growth into an ever-evolving energy field rather than a static moment.
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