This painting was created in 2019. This year is the third year of college. I started to prepare for my graduation work, so I tried paintings with more concepts, depth and formal unity. In these paintings, you Being able to begin to see a more specific me. Such attempts did add weight to the work, but it was only a small step compared to the depth that would later come with the weight of life. Then came the COVID-19 epidemic at the end of the year, and the future that people expected changed its face, either urgently or slowly.
The growth of emotions and love is like the growth of an embryo, like the growth of blood vessels and meridians in the body, like the growth of lightning, like the growth of vine leaf veins.
Overall Size: 78.7 x 78.7 in
Size without the frame: 200 cm x 200 cm
Country: China
Date: 2019
Materials: Oil paint on linen
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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The fetal-like posture shapes the back, arms, and legs into a continuous curve, nearly closing into an elliptical form. This compositional enclosure underscores self-protection and introspection, while transforming the body itself into a central vessel of the painting, containing both suppressed tension and imminent emotional eruption.
The streaming strands of red, blue, and white resemble a fusion of flames and electric currents. They symbolize the release of inner emotions colliding with external forces. This eruption of color interrupts the otherwise somber atmosphere, injecting a dramatic surge of tension and energy.
By intertwining bodily form with dynamic color, the work materializes the visualization of emotion itself. Within today’s art market, it stands as a characteristic example of emotional contemporary painting, combining psychological suggestion with visual intensity. It is especially suited for psychology research institutions, art therapy contexts, and long-term private or institutional collecting.
These jagged, electric traces flash through the dark backdrop like mental fissures or surges of energy. They create a counterpoint between the figure’s stillness and the restlessness of invisible forces, intensifying the central theme of emotional growth and psychic turbulence.
As a surreal emotional painting (2020, oil on canvas, 200 × 200 cm), its uniqueness lies in merging figurative realism with an abstract energy field. It carries dual value—psychological expressiveness and visual experimentation. Collectors may situate it within the domains of surreal emotional art or contemporary female body art investment, making it particularly relevant for art funds, private museums, and cross-disciplinary cultural brands.
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