This painting was created in 2023. This year I was looking for a balance between life and desire while going out, and the work turned into lively small-size paper creations.
In the vast and lonely sea, a clear and pleasant warm current once flowed around me. Warm enough for a long time.
Inches: x in
Size without the frame: x cm
Country: China
Date: 2023
Materials: Acrylic paint on paper.
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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I. Figure and Integration with Nature
In this painting, the reclining figure appears to float gently upon undulating waves, her body and garments seamlessly merging with the surrounding water. The pink clothing and the reddened complexion harmonize with the blue-green currents, embodying the traditional Chinese concept of “coloring according to categories”—the subtle blending of tones to express unity. The fluidity of the water resonates with the Daoist philosophy of “the highest goodness is like water”, suggesting that the figure has become part of nature itself. This imagery conveys the Eastern cultural identity of harmony between man and nature, where individual existence is absorbed into the rhythm of the natural world.
II. Color and Medium
The artist employs the unique transparency of watercolor to intensify emotional depth. The luminous blue waves carry a sense of clarity and openness, while the warm red tones in the face and textures convey intimacy and vitality. Their encounter forms a visual embodiment of the “warm current”—not only a natural phenomenon, but also a metaphor for the life-giving power of water in Eastern thought. Here, color becomes both descriptive and symbolic, bridging material sensation and spiritual resonance.
III. Emotional and Spiritual Dimension
The figure’s closed eyes and serene posture suggest surrender, as though embracing the nurturing presence of the water. In this sense, the warm current becomes a medium of spiritual dialogue between the self and the universe. It is less about depicting physical warmth than about expressing spiritual nourishment. The painting reflects an inherited cultural reverence for nature, portraying water as both gentle sustainer and quiet force, capable of cultivating inner peace.
IV. Philosophical Resonance
Through restrained brushwork and subtle layering, the painting demonstrates the Eastern aesthetic principle of simplicity carrying profundity. “Warm current” here symbolizes more than physical flow—it signifies the soul’s nourishment by nature. The work reveals that in Chinese aesthetics, the fusion of the individual with the natural world yields a tranquil power, enabling resistance to worldly clamor. Each return to water thus becomes an opportunity to reconnect with cultural roots, embracing serenity, romance, and a philosophy of life unique to the Eastern tradition.
I. Egon Schiele, Reclining Woman
Distorted lines and heightened color intensify emotional tension and psychological depth.
II. Mary Fedden, Reflections in Water
Watercolor transparency and poetic tone create a hazy atmosphere of stillness and reflection.
III. Sanyu, Reclining Nude
Simplified forms and subtle palettes emphasize rhythm and harmony of the body through brushwork.
IV. Paul Gauguin, The Spectre Watches Her
Symbolic colors and unusual forms establish a mysterious narrative imbued with dreamlike symbolism.
The most touching element lies in the reddened cheeks and the figure’s peaceful sleeping posture. This delicate state—between fragility and warmth—evokes the sense of both the body and emotions adrift, suspended in a dreamlike calm.
The water ripples symbolize flow and embrace, as if weaving a liquid shelter around the dreamer. This setting makes the figure appear solitary yet gently guarded by an invisible tenderness.
The reddened face paired with soft pink folds of clothing forms the visual core, while the surrounding blue-green currents expand into a cool, fluid backdrop. This interplay of warm and cool tones reinforces the theme of a “warming current”, conveying an almost subconscious comfort.
It blends the qualities of a watercolor portrait with emotional expressionism. The blurred edges and soft, wave-like brushstrokes position it as both a “dream-themed painting” and a work of contemporary psychological narrative art.
Carrying the lyrical quality of contemporary expressionist watercolor portraiture, this piece is well-suited for bedrooms, resting spaces, or therapeutic environments. Within a museum context, it would find a natural place in a section dedicated to “Dreams and Memory”, serving as an entry point for viewers into inner narratives and subconscious imagery.
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