This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.
The paint is light and thin, the brush strokes are quick and messy, and there is no scruple. Sex is like that.
Inches: x in
Size without the frame:79 x 109 cm
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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1. Medium and Technique
This painting employs the fluid transparency of watercolor, emphasizing its agility to capture the nuances of the human form. The artist makes full use of wet-on-wet layering and soft blending, which allows colors to seep into one another, creating a sense of dissolution and transformation. Through these methods, the figure is rendered not as a fixed body but as an emotional landscape, where boundaries are constantly shifting.
2. Form and Color
The reclining nude figure is outlined with delicate yet expressive lines, while hues of orange, yellow, and blue flow across the body and surrounding fabrics. This interweaving of tones evokes the imagery of “melting”—a dissolution of sharpness into softness, where distinct intent is gradually redefined. The fluid gradations mirror the transformation of emotions, from clarity to ambiguity, from concrete to abstract.
3. Expressionist Influence
The artist draws from Expressionist techniques, deliberately reducing realistic anatomical detail in favor of heightened emotional impact. The curving posture of the body, together with the luminous transitions of color, conveys inner softness and inclusiveness. It suggests that all hardened edges of “intent” are surrendered, absorbed instead into the atmosphere of the painting. What emerges is not a portrait of a single figure, but an emotional state embodied in form.
4. Spatial and Emotional Depth
The overlapping washes of color create a hazy hierarchy, dissolving fixed perspective and emphasizing mood over physical space. This approach allows viewers to perceive the melting process—a gradual progression from the solid to the ephemeral, the tangible to the intangible. The painting becomes a visual and emotional gradient, where transformation itself is the subject.
5. Philosophical Resonance
Rather than offering linear narration, the work relies on the dialogue between color and form to suggest a philosophy of acceptance and dissolution. Each blending of pigment gently dismantles “intent,” while each drifting line rebuilds it in another emotional register. The painting proposes that when intent melts, it does not vanish but reintegrates into the flow of life and art. Through its lightness and fluid collisions, the work touches on a profound sense of emotional openness and reconciliation.
Sanyu, Nude with Bent Knee – With simple contours and soft tones, it presents the poetic subtlety of the human body.
Egon Schiele, Reclining Woman – Through expressive distortion and bold colors, it conveys raw emotional tension.
Marc Chagall, The Lovers – With dreamlike hues and romantic composition, it radiates surreal warmth.
Paul Gauguin, Tahitian Women – Using simplified forms and vibrant colors, it embodies primal vitality.
The painting employs a technique of “fluid contours”: some lines clearly outline the body’s boundaries, while others are softened by color diffusion. This creates tension where the figure and background blend, evoking a sense of half-dream, half-awake bodily perception.
The blue bedding symbolizes calmness and inclusiveness, while the red background conveys passion and intensity. Their intersection highlights the figure’s expressive posture and complex inner state, enhancing the painting’s emotional depth.
This extremely expansive posture represents the release of freedom and desire, while also amplifying the physical presence of the body. It allows viewers to viscerally experience both the tension of life and the weight of the human form.
This work can be categorized as a contemporary expressionist nude painting. Through exaggerated postures and saturated colors, it breaks away from the conventions of classical realism, emphasizing instead the projection of psychology and emotion. Such works are often featured in contemporary art exhibitions and solo shows on the human body, offering significant academic and curatorial value.
As an expressionist watercolor nude, this piece diverges from classical realist depictions, prioritizing spirituality and bodily freedom. Collecting such artwork not only demonstrates refined artistic taste but also provides a meaningful addition to a private gallery or art space, particularly for exploring themes of body and existence. It embodies both aesthetic appreciation and cultural reflection.
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