This painting was created in 2016, the year I just entered university. Compared with the previous exercises to improve my skills, this year is the beginning of my artistic career. Being confused and trying, exploring, and seeking new ideas in painting are essential processes.
Overall Size:
Size without the frame:
Country: China
Date: 2016
Materials:
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land".The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful.Ideas are later.
If you would like to collect this artwork or know more about the artist, please contact us.
In terms of composition, it follows the equilibrium principle of classical still - life painting. The earthenware pot, plaster geometric solid, and fruits are arranged in an orderly manner, forming a stable and rhythmic visual layout. Just like Jean - Baptiste - Siméon Chardin's poetic arrangement of daily objects in his still - life paintings, it builds a quiet viewing order through ordinary combinations.
The pairing of a rounded, organic vessel with a sharply faceted geometric solid creates a dialogue between life’s sensuous qualities and rational order. This duality enriches the composition with layered meaning.
As natural, irregular forms, the fruits soften the austerity of the geometric object, introducing warmth and a sense of everyday life into the otherwise formal still life.
The carefully modulated shadows emphasize the vessel’s volume and weight, while subtle tonal transitions give the surface a strong sense of spatial depth.
It not only increases the structural complexity of the composition but also serves as the core of rational beauty, anchoring the entire visual balance.
The reserved background and the use of diagonal hatching make the subjects stand out more clearly. Meanwhile, the angled folds of the tabletop extend the sense of perspective, opening the composition into deeper space.
