This painting was created in 2018. With the end of the sketching class this year, my sketching journey stopped at a few simple drawings for Miss Hui. Of course, my oil painting skills have also improved a lot in the past year or so, and I have carefully explored my own way of speaking.
Overall Size: /
Size without the frame: 30 x 40 cm
Country: China
Date: 2018
Materials: Oil paint on linen
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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A1: The composition is deliberately cropped, revealing only half of the face so that the viewer’s attention is drawn to the closed eyelids and slightly parted lips. This cinematic framing creates a sense of intimacy and mystery, as if catching a fleeting moment from a dream, evoking a quiet psychological atmosphere.
A2: Minimalist yet symbolic, the painting works beautifully as a piece of modern home décor, where it creates a silent, poetic mood. It is equally well-suited for therapeutic spaces or high-end commercial interiors, where it conveys tranquility and introspection. As a portrait oil painting, it balances decorative appeal and spiritual depth.
A3: The background and hair share a muted brown-orange palette, soft and low in saturation, which sets off the cool whiteness of the skin and the subtle red of the lips. This color contrast amplifies the inner subtlety of the figure, blending the restrained aesthetics of the East with the realist techniques of Western oil painting.
A4: By portraying a partial female portrait, the work combines technical realism with conceptual depth. For private collectors, it reflects a refined and distinctive taste; for galleries or public spaces, it can serve as an integral piece in a female-themed exhibition series, carrying strong cultural resonance and investment value.
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