This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.
This year is a slow-burning fire in the mountains. I looked back twice, once to burn away my old love, once to burn away my old sorrow.
Inches: x in
Size without the frame: 190 x 210 cm
Country: China
Date: 2024
Materials: Acrylic paint on linen.
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land".The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful.Ideas are later.
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1. Composition and Form
This painting constructs a dramatically charged scene through the interplay of distorted posture and exaggerated anatomy. The central human figure, elongated and twisted, conveys an almost unbearable tension, as though the body itself is caught in the flames of conflict. Through techniques of deformation and exaggeration, the artist externalizes inner turmoil, suggesting both resistance and vulnerability within the same form.
2. Color and Contrast
The stark white tones of the body stand in deliberate opposition to the surrounding red, yellow, and purple fields. This use of color contrast amplifies the work’s emotional force, evoking the burning intensity of fire and the turbulence it symbolizes. The clash of bright and dark hues produces a rhythm that feels simultaneously destructive and regenerative, echoing the searing heat implied in the title Mountain Fire.
3. Brushwork and Technique
The painting employs Expressionist strategies, particularly the bold application of color and energetic brushstrokes. Layered color blocks and fluid, almost chaotic lines create an atmosphere of volatility. Each stroke functions less as description and more as emotional release, transforming the canvas into a stage of psychic conflict. This expressive freedom destabilizes fixed boundaries, pushing the work toward a zone where subjective experience and external catastrophe merge.
4. Background and Symbolism
The backdrop is filled with abstract fragments and intricate patterns, which simultaneously resemble the aftermath of a wildfire and the disorder of the inner world. The lack of clear separation between the human form and the environment underscores a collapse of boundaries, reinforcing the theme of engulfing chaos. Here, abstract expression blurs the line between reality and imagination, amplifying the sensation of a mind overwhelmed by destructive forces.
5. Psychological and Philosophical Dimension
Beyond the depiction of a natural disaster, this painting delves into the psychological dimension of crisis. The “mountain fire” becomes more than a literal event—it is an artistic symbol of inner conflict, despair, and survival. Through color collisions and distorted forms, the work transforms catastrophe into an allegory for the human condition, where struggle and resistance are inseparable from helplessness and vulnerability. Ultimately, this painting demonstrates how art can serve as a medium for amplifying and channeling raw emotion, offering both catharsis and reflection.
The vast area of red, like blazing flames and a burning sky, not only creates an atmosphere of urgency and heat but also symbolizes destruction and rebirth in the face of natural disaster. It allows the viewer to feel the tension of life pushed to its limits, as if caught inside a wildfire.
The figure presents an almost struggling yet dancing posture, with limbs stretched and the body engulfed by fire and force. It is both a depiction of physical pain and a symbol of resistance and release.
The eruptive strokes of yellow and deep black resemble flames and thick smoke, intensifying the visual shock of catastrophe. At the same time, they suggest the hidden energy and renewal embedded within destructive forces.
“Wildfire” blends the languages of Expressionism and Surrealism: the fierce color clashes reflect Expressionism’s exaggeration of emotion, while the vision of the human body intertwined with flames evokes Surrealism’s dreamlike quality, resulting in a highly impactful visual narrative.
Disaster-themed paintings are not merely about destruction; they also explore the philosophical themes of resilience and rebirth. The value of collecting such works lies in their ability to serve as spiritual triggers. They are especially suited for display in contemporary art museums, thematic exhibitions (such as ecology, environment, or catastrophe), or as a thought-provoking centerpiece in a private collection, carrying both warning and reflective power.
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