This painting was created in 2017. This year I spent more time thinking about art in sketching courses, which also caused a disconnect between my color painting and sketching. I am more bold in looking for the core of Chinese culture in sketches, even though I still know very little about traditional Chinese culture. However, I am more conservative when it comes to color painting.
Overall Size:
Size without the frame:
Country: China
Date: 2017
Materials: Oil paint on linen
Condition: Lost
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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A1: Two young women stand in front of shelves stacked with plush toys, each holding a different stuffed figure in their arms. While the setting appears lighthearted, it subtly carries complex emotions beneath the surface.
A2: The word “Lost” suggests a sense of absence or longing, possibly tied to childhood, innocence, or memory. Even though the figures are surrounded by toys, their pensive, slightly guarded expressions hint at something missing—or perhaps something that has already slipped away. (In reality, the work itself was lost.)
A3: The background is dominated by layers of pink and brown, creating an atmosphere that feels both sweet yet suffocating. In contrast, the women’s blue and red clothing sharply stands out, emphasizing their presence against the dense backdrop of toys.
A4: Unlike earlier works focused on pure observational study, this piece integrates expressions, gestures, and environment to create a story-like quality. Viewers are invited to question the women’s relationship and to wonder what exactly has been “lost.”
A5: There is a clear contrast in technique: the background toys are painted with loose, piled-up strokes, giving a sense of mass and clutter, while the figures—especially their faces and hands—are rendered with more refined detail, establishing them as the focal point of the painting.