This painting was created in 2023. This year I was looking for a balance between life and desire while going out, and the work turned into lively small-size paper creations.
This is a wet painting method of acrylic on paper. The paint is wetted with water to make it translucent, showing the scene of water vapor filling the sea surface on a rainy day.
Inches: x in
Size without the frame: 79 x 108.7 cm
Country: China
Date: 2023
Materials: Acrylic paint on paper
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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I. Atmosphere and Composition
This painting explores the tension and harmony between rain, ocean, and moonlight, weaving together elements of Eastern water culture and nature-centered philosophy. The deep, layered blues of the ocean at night merge seamlessly with the soft glow of moonlight reflected on the water, echoing the Chinese aesthetic principle of “the interplay of emptiness and substance.” Rain streaks diagonally across the canvas, both obscuring and enriching the view, creating a poetic space that suggests nature as both a shelter and an emotional resonance.
II. Symbolism of the Red Boat and Figure
The tiny red boat and the lone swimming figure stand out as delicate yet powerful presences amid the vastness of sea and storm. Their scale emphasizes fragility, yet their placement within the glowing reflection of the moon suggests inner strength. This imagery embodies the Chinese tradition of “expressing emotions through landscapes,” where natural scenery is not merely descriptive but a mirror of the human spirit.
III. Conceptual Paradox
The notion of “sheltering from the rain underwater” forms the philosophical and poetic core of the work. By breaking physical convention, this paradox resonates with Taoist philosophy of following nature’s way: when humans align themselves with the rhythms of nature, adversity (rain) can transform into protection. The rain and waves no longer appear as obstacles but instead function as boundaries of tranquility—a sanctuary hidden within difficulty.
IV. Aesthetic and Philosophical Expression
The artist employs contrast and metaphor to underscore the tension between grandeur and minuteness: torrential rain and the boundless ocean against the fragile yet resilient figure. This paradox conveys a deeply positive life philosophy. No matter how fierce the storm outside, the individual—like the figure within the moon’s reflection—can find serenity in nature’s embrace. In this sense, the work expresses an enduring cultural outlook: to perceive vastness in the small, to discover poetry in hardship, and to face storms with a heart turned toward light.
I. J.M.W. Turner, The Shipwreck
Dynamic brushwork and a sense of overwhelming natural force convey both grandeur and vulnerability.
II. Hiroshi Yoshida, Seascape
Subtle colors and tranquil composition embody a contemplative approach to marine landscapes.
III. Claude Monet, Water Lilies: Evening Effect
The interplay of light, shadow, and blended tones evokes a dreamlike, immersive atmosphere.
IV. Sanyu, Blue Star
Minimalist forms and symbolic colors articulate profound emotion with elegant simplicity.
At the center of the canvas, a small orange-red figure floats within a halo of pale yellow light, as if self-guarding in overlapping rain and rippling water. Its isolation contrasts vividly against the surrounding blue-green tones.
The blue is decomposed into layered shifts—deep-sea blue, teal, and violet blue interlace. Combined with the repetition of linear rainstrokes and wave-like patterns, the composition maintains a strong sense of breath and rhythm, avoiding visual flatness.
The rain is not rendered as simple vertical lines, but as slanted, broken brushstrokes layered upon fish-scale-like ripples. This creates an illusion of double transparency, as though the viewer themselves were enveloped within the rain curtain.
It merges contemporary water-imagery painting with surreal narrative art. Through its paradoxical scene of “sheltering from rain underwater,” it conveys the tension between inner refuge and natural forces, making it well-suited to exhibitions exploring the relationship between psyche and environment.
The painting presents a rare triple layering of rain, ripples, and light, marking it as part of the uncommon category of “underwater perspective” works. Beyond its experimental approach to contemporary painting, its poetic imagery and philosophical undertones make it valuable both for private collectors and for institutional collections, as a representative piece of “emotional landscape art.”
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