This painting was created in 2018. With the end of the sketching class this year, my sketching journey stopped at a few simple drawings for Miss Hui. Of course, my oil painting skills have also improved a lot in the past year or so, and I have carefully explored my own way of speaking.
Overall Size: /
Size without the frame: /
Country: China
Date: 2018
Materials: Oil paint on linen
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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A1: The child’s face carries a faint smile, with eyes shimmering with innocence and curiosity, as if captivated by the breath of spring. This expression radiates warmth and hope, embodying a sense of purity.
A2: The child’s bright yellow garment serves as the visual focal point of the painting. It symbolizes the vitality and warmth of spring, standing in sharp contrast to the muted gray-brown background, and reinforcing the central theme of renewal.
A3: The background is painted with loose, understated brushstrokes, avoiding specific details and instead creating a misty, atmospheric effect. This sense of openness draws the viewer’s attention fully onto the child while leaving space for imagination.
A4: The poetic inscription both anchors the scene and acts as a metaphor for life and hope. As the child sits quietly in the spring breeze, it evokes the question in the viewer’s own heart: spring should carry winds of gentleness, freedom, and hope.
A5: The brushwork alternates between bold, textured strokes for the clothing—conveying fullness and substance—and softer, refined strokes for the face. Meanwhile, the contrast between warm and cool tones heightens the child’s innocence against the gray-brown background, lending the work a powerful artistic resonance with strong collectible value.
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